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Audio Knowledge Tree ™
Romy's "Audio Rules"
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» My recent FM mystery
» Middle step (non ultimat»
» Ghorbani&Hamdani sin»
» Pacific Microsonics Mode»
» Bruckner 9, Transcriptio»
» Prom 22 - if only all or»
» Ultimate Tonearm
» "Appeal to the Grea»
» Jean Hiraga’s cooking of»
» Help: Building a Melquia»
» The Studio AU projects.
» If I were a High-End Aud»
» Compression at WCRB - b»
» Mravinsky/Leningrad from»
» Our Fuzzy Pussies, Audio»
» Bach's Cello Suites
» Amazing Altec 288 ++
» We don’t necessarily kno»
» The Verklarte Nacht with»
» Bahnsen Horns + some fre»
» Kloss 5-way horns setup.
» Why Horn loaded systems?!
» Gould's Goldberg Variati»
» The Hannes Kastner’ Tocc»
» SET amplifiers
» Magico Mini or Jonathan »
» The LCR RIAA correctors
» Advanced-Transition Horn»
» Passive line level cross»
» How idiots destroy sound.
» Tschaikowsky, [Violin] C»
» Tchaikovsky’s “Pathetiqu»
» Playback evaluations mad»
» JMLC horns profile?
» The new “little things” »
» The Site’s Forum Engine:»
» Perception - Time Consta»
» The bogusness of the coa»
Bookmarked are red
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Jammin' Jersey
Archives of Canada
The National Valve Museum
BostonSymphony's Channel
Perer Gulmann's Classica»
Virtuosos Discographies
Classical Collections
Lenard's Opals monitor
ElecroVoice’s Vintage Pr»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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JUN 7 Spring Concert, in C»
JUN 7 Beacon Ensemble in B»
JUN 7 Mink Duo in Boston a»
JUN 8 BOSTON CECILIA in Ne»
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Lamm L2 Reference pream»
Micro Seiki RX-5000
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Rohde & Schwarz MSDC Mu»
Altec 515B bass drivers
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Vitavox S2/S3 diaphragms
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