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» The foolishness of multi»
» William Kapell legacy an»
» In defense of Mikhail Pl»
» Wasted Time and "be»
» The 3rd music revolution»
» The ultimate worst best »
» A new CES 2010 loudspeak»
» Absolutely the best audi»
» Help to identify the LF »
» John Cage about silence »
» 47 Lab Digital
» Smyth Research Realiser »
» Upperbass horns – tone v»
» Wide dispersion horns
» Tweeters: the most misus»
» Sonic consequences of re»
» A speaker set with JBL 2»
» The DSET perspective exa»
» The WHRB Wagner’s Ring C»
» My horn speakers system.»
» Belcea Quartet
» Bias help
» Verify that you sources »
» Evaluation of tractrix c»
» I think about War lately.
» It is time for you to de»
» New Bamboo Speakers Feed»
» The Avicenna's failure i»
» Canadian Speaker Proposal
» About playback and messa»
» (Hopefully short) headph»
» Bach Piano Concertos, 1,»
» Vitavox and Goodmans Bas»
» Analogue to digital conv»
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» Mozart: "Cosi Fun T»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Lamm L2 Reference pream»
REL Precedent 646C tuner
Micro-Seiki Arm Board
Micro-Seiki MAX-282 To»
Rohde & Schwarz MSDC Mu»
Conscience of audio rev»
LF Transformer for 6C33C
Altec 808A compression »
Fane Studio 8 dual conc»
Hillock TV-2 tube tester
Vitavox 330Hz Horn for »
More Leftovers »»