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Site News: 14 May 2026

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Random Site's Threads
» A primer on high-end mar»
» More Gieseking!
» The BBC Proms 2009
» Macondo’s Midbass Projec»
» To Milq builders: correc»
» Liszt’s symphonic poems.
» A tribune to Transient E»
» Wagner and loudness.
» Strange Thread
» Some thoughts about bass»
» The wonder of Ayre Acous»
» Reviewing preamps by imb»
» All Active! A DSET and m»
» About Harry Pearson lega»
» CES 2006
» From GoodSoundClub, with»
» Marantz MA-9S2 Monoblock»
» Borbely Audio Take on 6C»
» Boston and Liszt’s Secon»
» Speakers: a hi-fi disast»
» Bruce Edgar dies
» About the tweeters phase»
» Resonating hi from overs»
» Any South/Latin American»
» Orphean horns / BMS driv»
» Clean and polish gunmeta»
» 2010 Classical Grammy No»
» Some thoughts about Milq»
» Better solution for bein»
» The 60-inch LF driver.
» Polish Chamber Choir - S»
» How to waste $25.000.00
» Brilliant audio Quotes.
» Corresponding With Carlo»
» Richard Wetz and Martin »
» Chinese upperbass horn.
» The “sounds” that I am l»
» Vintage JBL products lin»
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Classical events in Boston
AUG 1 BU Tanglewood Instit»
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My Audio Leftovers
Micro-Seiki Arm Board
Vitavox S2/S3 diaphragms
Vitavox AK151 15" bass »
Conscience of audio rev»
Micro-Seiki air-suspend»
REL Precedent 646C tuner
CEC TL-0 MK2 transport
Electro-Voice T350 twee»
Sansui TU-X1 Tuner
Hillock TV-2 tube tester
Lamm Industries M1.1 Mo»
More Leftovers »»