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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
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» Joaquin Rodrigo’s “Conci»
» Thoughts on midbass horn»
» About Stupid Dynamic
» The Home Theater thought»
» Jaap van Zweden kicks as»
» Something that a loudspe»
» The Full (fuller) Range »
» Gershwin's Rhapsody in B»
» "SOTA Technology&qu»
» The short "6C33C Su»
» Some horn writing by Tho»
» Sarah Chang last night a»
» RIP Oscar Peterson
» Who makes good L-Pads?
» The iHorn - a passive a»
» Macondo's Axioms: Horn-l»
» About bass horns by Joha»
» About rationalism of twi»
» Midbass injection channel
» Thomas Mayer’s Triamp
» Audio equipment vs. live»
» An interesting TT link: »
» How to switch moving coi»
» Vitavox S2 coupling
» Zander, BPO, George Li a»
» A turntable platter as a»
» What is the difference b»
» A primer on high-end mar»
» A single worst thing in »
» Bravo, Stereophile: Adve»
» Tannoy Red or Gold monit»
» Bookshelf Horns
» Melquiades For Dummies™ »
» German Odeon horns.
» Don't evaluate audio by »
» How to record FM broadca»
» Seven hours of live musi»
» Vitavox 12 cell Horns + »
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MusicStack
Heart's Ease
Club Abbadiani Itineranti
Takashi Asahina Group
Lied and Art Songs
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ClassicalNet
Thomas Dunker's Site
Glenn Gould Audio Archiv»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
 
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AUG 17 Black Sheep Contempo»
AUG 18 Rossini’s Petite Mes»
AUG 19 Andris Nelsons, cond»
AUG 20 Chamber Music»
AUG 20 Borromeo String Quar»
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berlin’s heyday as an inex»
egypt reopens 4,600-year-o»
audit finds ‘substantial u»
a huge illicit antiquities»
edinburgh fringe’s looming»
sony picks up respected bo»
marcus overton, who manage»
in hyper-curating our desi»
the great composer schuman»
a look inside the ruins of»
john leguizamo on the diff»
why other experiences help»
on the nature of aphorisms»
a history of celebrity (wh»
vanessa lann most played d»
ellen reid receives pulitz»
james horner composition e»
spotify slammed for its “d»
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