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The audio preview of the audio part of my Book

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» The Macondo’s Upper Bass»
» Micro Seiki MAX damping
» Tchaikovsky's Nutcracker»
» Dvorak/"Dumky"»
» About the tweeters phase»
» 8" Goto Woofer for »
» Macondo + Milq… very nic»
» French Horns/drivers sho»
» DRU Tube for Melq’s HF c»
» Okada’s installation.
» Eighteen Sound ND1460A c»
» The strings period: the »
» How to read Romy the Cat»
» Course & guide on ho»
» Munich 2017, Avantgarde »
» Some horn writing by Tho»
» How to run MM-type cartr»
» A random neutralness
» The Thomas Blumenhofer’s»
» Training amplifiers
» Baltimore Symphony Appoi»
» How to make musicians to»
» Earl Geddes: Horny Book
» A big room with good aco»
» The Opera Room
» Omni-directional 'horny'»
» Reallocation of efforts:»
» Macondo’s lowest channel.
» Parts As Facilitators or»
» The 3rd music revolution»
» The best speaker in the »
» Boston and Liszt’s Secon»
» A[nother] Cautionary Tal»
» Tchaikovsky’ Death
» NOS Wagner move - what i»
» Bach's Cello Suites
» Melquiades For Dummies™ »
» Reel-to-Reel Tape vs. Ra»
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I keep receiving emails from visitors asking me thier idiotic questions about audio. I don't care about your purchasing decisions, I don't provide general audio consulting and usually, I do not reply to private audio questions (unless you send me a confirmition that you've donated to your local feline shelter). Please stop send me emails asking me your damn audio questions: I have a public site where you might indulge your unhealthy audio interests and where I might have fan to ridicule you publicly. Also be advised that I keep rights to publish on my site any content submitted to me via email. I sincerely hope that this warning would prevent a few needless inquiries.

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