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Melquiades SET Amplifier
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End of Life Phonostage
Audio Demoronizator AD-1
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» A cutoff horn loudspeake»
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» The FM Radio. What a Hel»
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» Which SME 3009?
» Starting from scratch - »
» Looking for the most vin»
» Transition : Driver to t»
» Do curved corners help???
» RIAA pole two = 501,12 Hz
» Prokofiev's cantata
» Lamm’s new phonostage.
» DA architecture: True M»
» Charles Schlueter’s inte»
» Time Alignment : Live Pe»
» CDs organisation methodo»
» Problems with horns: mid»
» A horn workshop
» Medici TV, interesting…
» Klipsch Jubilee horn
» Curiosity about others. »
» Mercury Living Presence »
» Tschaikowsky, [Violin] C»
» Capturing live internet »
» Audio vs. Musical pitch
» The Active High Frequenc»
» Zigmahornets Speakers: c»
» RDH20 Frame double horn »
» The Daniel Hertz M1 ultr»
» The BEST bass cable?
» Coaxial design
» The commercial music ser»
» Null-set dipole butterfl»
» Avantgarde method of cap»
» Bravo, Stereophile: Adve»
» Choice of Fireware Inter»
Bookmarked are red
ClassicalNet
Michelangeli Site
Classical Composers
BostonSymphony's Channel
John Lenard Burnett's si»
GEMM catalog
Pianist Yakov Kasman
Lenard's Opals monitor
The Soul of Sound
Nubes Partem
Ward Marston's "Marston"»
WGBH's “Keeping Score”
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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CEC TL-0 MK2 transport
Micro-Seiki Arm Board
Altec 808A compression »
Kenwood L-02T FM Tuner
Purist Audio Design Pro»
Electro-Voice T350 twee»
REL Precedent 646C tuner
LF Transformer for 6C33C
Korvet “Egg” Tonearm
Koetsu Onyx Platinum Ca»
Ortofon Mono CG 25 Di c»
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