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» What is High-End Audio?
» My beloved Contraltos: k»
» The ridicules naming of »
» Red Violin Concerto
» Tchaikovsky's Nutcracker»
» 250 watts Parallel S.E. »
» Macondo + Milq… very nic»
» The great pianist Earl W»
» Single-stage Melquiades »
» Chinese upperbass horn.
» Chesky Records went &quo»
» How Piazzolla should sou»
» Interested in reading mo»
» Playback and Perception »
» Macondo copying: Horns t»
» Use absolute polarity as»
» About playback and messa»
» That is not 1812 and the»
» My trip to the Stereophi»
» Eq for 78's
» Haniwa Cybernetic Audio »
» Bruckner 8 in Washington»
» Playing bad recordings u»
» Accuracy vs. Musicality »
» Meitner Audio - Ed Meitn»
» Another light for the LS»
» Absolutely the best audi»
» Today’s SACD - music for»
» Hans Vonk Legacy
» Looking at the pictures »
» “They either adore me or»
» Macondo vs Dannoy = Esse»
» Taking the mystery out o»
» If you were to start fro»
» A better way of approach»
» Earl Geddes: Horny Book
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
NPR Classical Programs
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he wasn’t toscanini, but h»
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Composer's Anniversaries
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Addinsell, Richard (13 Jan»
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Still, Robert (10 June 191»
Carpenter, Gary (13 Januar»
My Audio Leftovers
Fane Studio 8 dual conc»
Purist Audio Design Pro»
CEC TL-0 MK2 transport
Lamm L2 Reference pream»
Altec 808A compression »
Lamm ML-2 Single-Ended »
Koetsu Onyx Platinum Ca»
Stage Acompany SA8535 d»
Sansui TU-X1 Tuner
Vitavox AK-15/40 15" ba»
LF Transformer for 6C33C
More Leftovers »»