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What is High-End Audio all about
Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Audio critique – open yo»
» Melquiades: too early fo»
» Srajan Ebaen and Juicy-C»
» Tubas and Mc-step
» Russian variant amplifier
» Experimental horn
» The jump-start of loudsp»
» Introduction to “Melquia»
» The Norman Lebrecht’s ar»
» Rod Poole 1962-2007
» Big room vs small room
» Curiosity about others. »
» Romy...thoughts on Lamm »
» Better solution for bein»
» RIAA pole two = 501,12 Hz
» More about step up trans»
» Outdoor horns
» Good small SS amplifier
» The Nationals Anthems
» I think it is the end.
» Choosing Someone to Refu»
» Speakers: a hi-fi disast»
» Dynamic viscose stabiliz»
» Bach's performing space.
» The evenings with Greate»
» Maxim Vengerov: Encore i»
» Simpson Microphones thre»
» MBS Platinum ADC
» Greek Arcadian Audio new»
» The cut or not to cut, t»
» The RCA’s 6C33C sockets?
» 6C41C – the journey to n»
» Beethoven PVC Trio, Opus»
» Aesthetix Rhea Signature»
» An air compressor and TT.
» Disregard the industry p»
» The Tenor amplifier and »
» About the DAW playback s»
Bookmarked are red
Archives of Canada
GS Tube
Graeme's Speaker DIY Pag»
Martha Argerich Site
Thomas Dunker's Site
Soviet Composers
Random Classics
Unofficial Vitavox Site
Tonal tests
Ward Marston's "Marston"»
Rachmaninoff Photos
Spinning Dog Records
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 5 Song of Songs / Song»
APR 5 How it Ends in Bosto»
APR 6 How it Ends in Bosto»
APR 6 The Passionate Viola»
APR 13 Juilliard String Qua»
APR 13 Transfigurations in »
APR 13 Winning Combinations»
APR 13 The New World in Var»
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another trump blunder»
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Rohde & Schwarz MSDC Mu»
Purist Audio Design Pro»
Koetsu Onyx Platinum Ca»
Korvet “Egg” Tonearm
ESS AMT-1A Heil Air Mot»
Sansui TU-X1 Tuner
Micro-Seiki Arm Board
Kenwood L-02T FM Tuner
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Conscience of audio rev»
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