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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» The best musical event o»
» Rubinstein at Carnegie H»
» A Simple Question (or 3)»
» Copland/BSO/Copland
» Make Your Own Horns
» Wilson Audio and the Moo»
» Van den Hul famous FAQ c»
» Monitors: Wishful thinki»
» Deep-cryogenically treat»
» Lamm introduced LL1 Sign»
» Is horn a natural shape?
» Macondo – Super Melquiad»
» Prokofiev's cantata
» Film in Boston: "An»
» BBC broadcasting radio e»
» Macondo and ALE drivers,»
» Monophonic bass: myth an»
» Thank you, Sir! May I ha»
» Loudspeakers and headpho»
» The corrupted listening »
» Hypex for ULF?
» Michelin horns
» Wasted Time and "be»
» Good midbass is complica»
» Where the FM quality com»
» How to read Romy the Cat»
» Electrovoice t350 repair»
» A different type of uppe»
» Engaging the David Haign»
» Playback and operation o»
» The European Triode Fest»
» Yamamura's 6 ways
» Gospel, pop, jazz and co»
» Micro Seiki DD30 Headshe»
» Saying goodbye to the di»
» Macondo Alternation. Ext»
» Superbly interesting eff»
» MartinLogan Montis Speak»
Bookmarked are red
Wood Horn Speakers
Technical books online
Good-Music-Guide
Soviet Composers
NPR's SymphonyCast
Max Robinson’s “Fun With»
High-Tech Hi-Fi
ECC99 - 6C33C SET
Japanese Translator
Recording Technology His»
WGBH's “Keeping Score”
Classical Music Streams
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques

“It was then that she understood the vicious circle of Colonel Aureliano Buendia’s little gold fishes.”

Gabriel Garcia Marquez


This site came to live because of multiple reasons:

  • As a software engineer I enjoy and in many cases I find it practical to have a community-based content-filled site where I might play with off-the-wall solutions, which I might not, necessarily might utilize with my clients. Therefore this site is a convenient technical playground.

  • I appreciate music and value music reproduction; I appreciatively spend substantial amount of effort and time on them. I feel that I possess some critical mass of realization on the subject that might be presented or exchanged at public domain. Also, I do enjoy the process of collaboration and swapping, not to mention - the thinking - about the audio/music related subjects. Therefore, this site is a wonderful source for those dual-explorative opportunities.

  • Over the course of the last few years I spent some time socializing with various audio people on-line. It reveals to me that unfortunately the dominating majority of them were remarkable idiots. Furthermore, those on-line individuals , for whatever reasons drived them, found necessary to spread lie and deception about me. Therefore, this site is my statement who I am and what I think, without me being edited, impersonated or censored by the frighten and fraudulent audio human waste.

In other words this site is sort of a public diary about my own and perhaps others journey among the jungles of Music and Music reproduction. This is the place where I might share some thoughts, objectives, methods and ideas with whoever comes alone or across.

Neither this site nor I, thank God, are associated with any audio or music industry entities. I’m on my own and I have no other agendas besides:

  • My pure and natural interest to the subjects of music and music reproduction
  • Opportunity to tease my corrupted ego
  • Opportunity to mock the Audio Morons™, illusory ideas and mistaken concepts that deserve to be ridiculed
  • Opportunity to learn and to teach
  • Opportunity to have a entertainment while I’m engaged in less-exciting projects

Anyhow,

I welcome you at Roman Bessnow's GoodSoundClub.com – the Internet home of Romy the Cat


All context of this site except the Forum's posts Copyright © Roman Bessnow 2004-2020
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