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The audio preview of the audio part of my Book

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» A new generation of full»
» Foundation Standarts for»
» Parts As Facilitators or»
» The Eduardo Chibas and B»
» A Very Nice "Eroica»
» Omni-directional 'horny'»
» How to switch moving coi»
» A new European productio»
» Where the Horns Light is»
» To hear Haydn for a firs»
» Some thoughts about bass»
» Wine, women, song.. and »
» Mahler VI - Barbirolli w»
» Some nice horns from Gre»
» Recording options: Pacif»
» ACR Fabulous-Series PA-1»
» Passive transformer base»
» The mystery of AmpX
» I think it is the end.
» Macondo’s lowest channel.
» What about 220V 50Hz?
» Interesting use of Lunda»
» MillionDollarStereos.com
» Music in the Sound: a mo»
» Problems with horns: upp»
» Suggested target curves »
» Those little headphones…
» Open letter to WGBH.
» What drives your musical»
» Transparent horns
» Micro Seiki MAX 282 User»
» Eat your heart out, Mr. »
» Single-stage Melquiades »
» The WHRB’s Rimsky-Korsak»
» The mono cartridges para»
» GoodSoundClub – one year»
» Tell me about more about»
» Vasily Petrenko in Bosto»
Bookmarked are red
The Music Parlour.
Great Hong Kong Blog
StateWork Broadcast Reco»
Delta Entertainment
Valves Collection
The Air This Week
Avie Records
Tin Lee Electronics
Audio Spot Kamani
GedLee loudspeakers
JPC CD Store
Eugene Ormandy Pages
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques

“It was then that she understood the vicious circle of Colonel Aureliano Buendia’s little gold fishes.”

Gabriel Garcia Marquez


This site came to live because of multiple reasons:

  • As a software engineer I enjoy and in many cases I find it practical to have a community-based content-filled site where I might play with off-the-wall solutions, which I might not, necessarily might utilize with my clients. Therefore this site is a convenient technical playground.

  • I appreciate music and value music reproduction; I appreciatively spend substantial amount of effort and time on them. I feel that I possess some critical mass of realization on the subject that might be presented or exchanged at public domain. Also, I do enjoy the process of collaboration and swapping, not to mention - the thinking - about the audio/music related subjects. Therefore, this site is a wonderful source for those dual-explorative opportunities.

  • Over the course of the last few years I spent some time socializing with various audio people on-line. It reveals to me that unfortunately the dominating majority of them were remarkable idiots. Furthermore, those on-line individuals , for whatever reasons drived them, found necessary to spread lie and deception about me. Therefore, this site is my statement who I am and what I think, without me being edited, impersonated or censored by the frighten and fraudulent audio human waste.

In other words this site is sort of a public diary about my own and perhaps others journey among the jungles of Music and Music reproduction. This is the place where I might share some thoughts, objectives, methods and ideas with whoever comes alone or across.

Neither this site nor I, thank God, are associated with any audio or music industry entities. I’m on my own and I have no other agendas besides:

  • My pure and natural interest to the subjects of music and music reproduction
  • Opportunity to tease my corrupted ego
  • Opportunity to mock the Audio Morons™, illusory ideas and mistaken concepts that deserve to be ridiculed
  • Opportunity to learn and to teach
  • Opportunity to have a entertainment while I’m engaged in less-exciting projects

Anyhow,

I welcome you at Roman Bessnow's GoodSoundClub.com – the Internet home of Romy the Cat


All context of this site except the Forum's posts Copyright © Roman Bessnow 2004-2026
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