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» The Hand Clapping by Fra»
» About “strangeness” of A»
» LF Amplifier in biamping.
» Tanglewood's 75th annive»
» What is it all about? De»
» State Symphony of Russia»
» Rudolf Barshai conducts »
» The 5th horns in stack o»
» Audiophiles are Happy or»
» The high-end audio, as i»
» Course & guide on ho»
» Wilson Audio and the Moo»
» The nature of "soun»
» A good PF articles about»
» Does horn surface porosi»
» Mysterious Russian Tromb»
» Midbass Horns and Real E»
» Kevin Puts, American Com»
» The single-ended pretens»
» Remastering (and re-loca»
» Celibidache / bruckner
» Dynamic range in histori»
» NAT Audio Magna -160 Wat»
» Winter storm & Casals
» CES – constant but fortu»
» Silicone gel damping?
» Myth: High-efficiency L»
» The CES 2005
» What you folks got for B»
» The “Implied Sound” in A»
» About the undeveloped au»
» High-End Audio demo, the»
» Drama vs. Chic
» Mid Bass horns help with»
» Platine Verdier Magnum
» Recording options: Pacif»
» More power from Melquiad»
» What to do in England?
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Aria Database
AudioTools
Art Songs and Librettos
Perer Gulmann's Classica»
Input Choke & Resonant C»
Polish GM70 Poject
Hermann Scherchen discog»
Greg Sando’s Site
Tin Lee Electronics
Piano Wizard
Tonal tests
IMSLP Music Library
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Mid-range tantrix round»
Hillock TV-2 tube tester
Pacific Microsonics Mod»
Kenwood L-02T FM Tuner
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SME M2 - 12" Tonearm wi»
Vitavox 330Hz Horn for »
Stage Acompany SA8535 d»
Lamm L2 Reference pream»
CEC TL-0 MK2 transport
Electro-Voice T350 twee»
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