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End of Life Phonostage
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» Don’t "use" VTA
» Single Driver speakers
» Ode to joy
» Help to identify the LF »
» Martin-Logan, Myles Asto»
» Reallocation of efforts:»
» Stop having a fear of ho»
» How to start Classical M»
» Bach and kids…
» EnABL: Just a note to aw»
» Digital crossovers self-»
» $350.000 of audio-script»
» Balance
» 7788 tube mic pre design
» Some nice horns from Gre»
» We who are about to die.»
» Understanding Line Array»
» Yamamura's 6 ways
» Shaky tubes, echo testing
» Thomas Mayer’s Triamp
» Contact-free volume cont»
» About dymick sparkling.
» New superlative horn bui»
» An Interview With Dr. Br»
» 1st Guitar Thread
» The "anecdotal"»
» Integrated sound field o»
» Choice of Fireware Inter»
» About “strangeness” of A»
» The Lavry Gold DA924 ++
» Discovered a great chora»
» Position your speakers a»
» To hear Haydn for a firs»
» How to play mp3.
» A response to David Hurv»
» 250 watts Parallel S.E. »
» The ridicules naming of »
» Software for collection »
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
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Kenwood L-02T FM Tuner
Micro-Seiki MAX-282 To»
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Stage Acompany SA8535 d»
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