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Random Site's Threads
» Sarah Chang last night a»
» About Stupid Dynamic
» Someone is DSETing, it s»
» Remembering Sound…
» Glorious HDMI Cable.
» Tedeska Cartridges.
» The mono cartridges para»
» Can a ultimate playback »
» Why horn-loaded loudspea»
» Joël Durand Intervi»
» An ultimate horn profile?
» Kalinnikov’s First Symph»
» Purist Audio Design vs. »
» Audio critique – open yo»
» Arranging my records col»
» Mahler 3 and BPO.
» Rubinstein at Carnegie H»
» Digital Voicing
» Opera “Boris Godunov”
» Next week in Metropolita»
» Evaluation of tractrix c»
» The tools to listening s»
» Minusk: a new Vibraplan?
» Bach's performing space.
» True High-End Audio: Ant»
» Copyright protection for»
» A Simple Question (or 3)»
» Midbass Horns and Real E»
» Bye-Bye Reel
» The ferrofluiding of com»
» Tape Machines
» Loudspeaker: Sound repro»
» Stop having a fear of ho»
» Tweeters: the most misus»
» In Praise of Infidelity »
» The African compression »
» About rationalism of twi»
» Meitner Audio - Ed Meitn»
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 24 Re-Imaginings in Che»
APR 26 Mosaics at Home in C»
AUG 23 Mozart and Beethoven»
AUG 23 Mozart and Beethoven»
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AUG 23 Maverick Chamber Con»
AUG 23 Mercury Orchestra in»
NPR Classical Programs
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My Audio Leftovers
Micro-Seiki MAX-282 To»
Vitavox 330Hz Horn for »
“Tree Blind Mice” colle»
LF Transformer for 6C33C
SME M2 - 12" Tonearm wi»
Rohde & Schwarz EU-6201»
Lamm Industries M1.1 Mo»
Vitavox S2/S3 diaphragms
ESS AMT-1A Heil Air Mot»
Electro-Voice T350 twee»
Mid-range tantrix round»
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