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» Callas and Tebaldi Compa»
» Infinite Baffle Implemen»
» Okada’s installation.
» Pham Thanh Cuong's playb»
» Sansui AU-X1 bomb...
» The Truly High-End Ampli»
» The “theories” about the»
» Looking at the pictures »
» Natalia Gutman (!) in Bo»
» The Eduardo Chibas and B»
» Brahms [piano] Concerto »
» Direct radiation in the »
» Anybody using vacuum hol»
» Benz Gullwing and Hi all
» List of top 20 conductor»
» Recording/Playback softw»
» MTT’s Mahler at 180 ghra»
» The best speaker in the »
» The “Melquíades” d&»
» A need for Resolution /S»
» LF Amplifier in biamping.
» Hungarian folded horn
» Altec radial phase plug »
» Thoughts on midbass horn»
» I think about War lately.
» Tomorrow in Boston: Yout»
» Eventually - a reasonabl»
» Spivakov, NPoR Orchestra»
» Exceptional loudspeakers»
» New Beethoven cycle/Anim»
» Upperbass horns – tone v»
» Sensible record cleaning»
» Some Orchestra on Demand»
» Midbass injection channel
» Macondo – Super Melquiad»
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Hughs Ominous Tubes
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Rottenburger Museen
THL Audio
Professional Audio Calcu»
Tonal tests
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Rachmaninoff Society
OboinaThor
Conductor’s Corner
Thomas Dunker's Site
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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LF Transformer for 6C33C
Sansui TU-X1 Tuner
REL Precedent 646C tuner
Lamm L2 Reference pream»
Mid-range tantrix round»
Electro-Voice T350 twee»
Stage Acompany SA8535 d»
“Tree Blind Mice” colle»
Conscience of audio rev»
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