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My Last Week with Auro 3D? Very probably....
Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Audio Note new turntable»
» How does [Phaseplug Desi»
» Today’s SACD - music for»
» Why I hate computer play»
» Metaxas-Wolfson ADC with»
» Credibility of digital i»
» The CD players must read»
» Audio cabinet of curiosi»
» New bottlehead dac
» Earl Geddes: I can't her»
» Crossover or non-crossov»
» Use absolute polarity as»
» The BEST bass cable?
» World's Finest Sounding »
» Making musical instrumen»
» Fantasies about 10Y
» Remastering (and re-loca»
» The Evolution of Honk.
» The Hannes Kastner’ Tocc»
» Some kind of Grundig…
» If you’re multiamping th»
» An objective tool to tra»
» Lamm Industries: a speci»
» The “new” ways for initi»
» Evaluation of tractrix c»
» CD Is Dead. CD Is Dead?
» Speaker Building
» Avantgarde Trio, Roy Gre»
» Impressions from High En»
» CD horn and JBL: Crossov»
» HELP on a Custom 3 Way H»
» Yep, Bach would do it….
» Ever thought about how m»
» What drives your musical»
» Rod Poole 1962-2007
» TU-X1 setup
» Signal variation, noise,»
» Live vs. Recorded transc»
Bookmarked are red
Lenard's Opals monitor
JE Labs
Robert Greene’s "Reg on »
Audio Perfectionist
Technical books online
WGBH alumni
Ron Penndor's Recollecti»
All Tube Testers
Pristine Audio Direct
Nubes Partem
Broadcast History
The Bruckner Discography
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Vitavox S2/S3 diaphragms
Rohde & Schwarz MSDC Mu»
Pacific Microsonics Mod»
Lamm Industries M1.1 Mo»
Stage Acompany SA8535 d»
Lamm L2 Reference pream»
Sansui TU-X1 Tuner
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Vitavox AK151 15" bass »
Electro-Voice T350 twee»
Korvet “Egg” Tonearm
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