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Audio Knowledge Tree ™
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» Copper Mat on a Micro Se»
» The Macondo’s Upper Bass»
» Constructing LF modules »
» Tuners and digital noise»
» Small SET’s bass, beside»
» I am not a Nostradamus, »
» Rod Poole 1962-2007
» Alicia De Larrocha, Bach»
» Bach Cello Suites
» Available Blenders and S»
» Wilson Audio and the Moo»
» The New York Philharmoni»
» MET Broadcast, season 20»
» The Estonian idiocy: Est»
» New show in US, some new»
» Easy Bruckner for Beginn»
» Open cell foam in horns »
» Pacific Microsonics Mode»
» Lamm L1 vs. L2 preamp
» Hickok Tube Testers: Qui»
» If you play a guitar…
» Audio critique – open yo»
» Tonality versus Frequenc»
» How Mussorgsky should so»
» About Single Driver Spea»
» Dunlavy SC++ loudspeaker»
» Tube GU-29
» Earl Geddes: I can't her»
» How to make a speaker dr»
» 250 watts Parallel S.E. »
» November to remember… an»
» Bravo Brahms, Bravo Wand»
» What is High-End Audio, »
» A stunning Beethoven’s “»
» Audio Quality Matters in»
» A true nature of audioph»
» What is the difference b»
» Custom made woofers.
Bookmarked are red
DaVinciAudio Labs
Lockwood Audio
Willem Mengelberg discog»
George Szell discography
Tubecad publication
Jong Woo's Site
Classical Music Forum
Spinning Dog Records
THL Audio
Lenard's Opals monitor
Value of Records Tool
Eugene Ormandy Pages
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Electro-Voice T350 twee»
Altec 808A compression »
Micro-Seiki MAX-282 To»
CEC TL-0 MK2 transport
Lamm L2 Reference pream»
Vitavox 330Hz Horn for »
Mid-range tantrix round»
Rohde & Schwarz EU-6201»
Koetsu Onyx Platinum Ca»
Pacific Microsonics Mod»
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