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The not-so-big listening»
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Rare Onkyo HM-300 MK2 Ho»
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A truly cool solution fo»
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Brahms Double Concerto
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Time Alignment : Live Pe»
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Discovered a great chora»
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San Francisco in Februar»
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Ravel's String Quartet; »
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Help: Building a Melquia»
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About DSET-driven multi-»
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Horns and digital crosso»
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The Full (fuller) Range »
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Fire and Music
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About the thoughtfulness»
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Tuuubes - where are the »
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Phono stages with SU-1
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I would like to believe »
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Clean and polish gunmeta»
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VTL TL-7.5 Reference: Hi»
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Do not “compare” audio e»
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The evil of low sensitiv»
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A cutoff horn loudspeake»
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Radiation patterns match»
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Subjective evaluation of»
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Midbass Horns and Real E»
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About audio sales and h»
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Valve Technology Timeline
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Steve Leung, Cartridge W»
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Perception of bass?
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Transition : Driver to t»
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Rod Poole 1962-2007
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Dpols?
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Mahler: Symphony No. 2 i»
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Classical events in Boston
APR 11
Benjamin Zander, con»
APR 12
Chamber Music in Nee»
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Magdalene Ho, pianis»
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Takács Quartet in Gr»
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In Search of New Wor»
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NPR Classical Programs
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Classical Music News
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he wasn’t toscanini, but h»
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Composer's Anniversaries
Cesti, Antonio (5 August 1»
Mertz, Johann Kaspar (17 A»
von Zemlinsky, Alexander (»
Halffter, Rodolfo (30 Janu»
Bernstein, Leonard (25 Aug»
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Alsuyet, Claudio (14 Octob»
Lysight, Michel (14 Octobe»
My Audio Leftovers
Lamm L2 Reference pream»
Fane Studio 8 dual conc»
Electro-Voice T350 twee»
Vitavox AK-15/40 15" ba»
Vitavox S2/S3 diaphragms
Micro-Seiki Arm Board
Purist Audio Design Pro»
Tribute Output Amorphou»
CEC TL-0 MK2 transport
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Korvet “Egg” Tonearm
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