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Site News: 16 Mar 2025
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» Digital Voicing
» Who makes good L-Pads?
» Munich High End 2011
» Back chamber
» If you’re multiamping th»
» The differential diagnos»
» About the pre-warming of»
» How to give bats a heada»
» Bruckner and women
» How is Leak tl 25 differ»
» A Simple Question (or 3)»
» Wilsons, EMM, Ozawa, Sa»
» The Melquiades' "Re»
» Bach's Cello Suites
» Zander, BPO, George Li a»
» R22
» Carbon Interconnect
» Bad, bad, bad 1812 Overt»
» What is wrong with Dipol»
» A DSET is better then an»
» What is the difference b»
» New Bamboo Speakers Feed»
» Natural Remedies for Sic»
» Khachaturian anyone?
» Sound is like a proverbi»
» Cessaro Gamma II and Ome»
» The Ridiculous Japa-Braz»
» Attention Sound Engineer»
» My beloved Contraltos: k»
» Macondo Horns: biography.
» Make Your Own Horns
» An idea of Individual Re»
» Shindo Latour
» Solid state revisited
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Classical events in Boston
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Composer's Anniversaries
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Castelnuovo Tedesco, Mario»
Weill, Kurt (2 March 1900-»
My Audio Leftovers
Micro-Seiki MAX-282 To»
Altec 808A compression »
Sansui TU-X1 Tuner
Conscience of audio rev»
REL Precedent 646C tuner
Hillock TV-2 tube tester
Micro Seiki RX-5000
Lamm ML-2 Single-Ended »
Purist Audio Design Pro»
Fane Studio 8 dual conc»
CEC TL-0 MK2 transport
More Leftovers »»