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» High End 2012 in Germany
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» Metropolitan Opera 2009-»
» Audio Quality Matters in»
» Making of a Steinway.
» Expectations in the conc»
» The nature of "soun»
» Staxquiades project
» The Rafael Kubelík'»
» My Analog Playback: the »
» My new favorite "Ne»
» Lamm ml2 voltage 110v to»
» Crossover or non-crossov»
» Alternative driver for W»
» The new CEC TL1 transpor»
» Some Observations about »
» An amplifier for Tweeters
» Why David Robertson does»
» Audio Note new turntable»
» If you've never heard th»
» The optimum Sampling Rat»
» Wilson Audio Setup Proce»
» New Shalin Liu Performan»
» My playback: what is nex»
» The need for a balanced »
» LF for use with Vitavox »
» Convergent Legend Preamp»
» Winter storm & Casals
» High-End Audio Topologie»
» If I were a High-End Aud»
» “A” sound from “B” syste»
» Weiss Engineering DAC202
» I wonder when Chinese be»
» The Evolution (or Anti-E»
» Infinite Baffle Implemen»
» A strange urge.
» 6C33C socket types, wher»
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AUG 1 Chamber Music in Bru»
AUG 2 CASSATT STRING QUART»
AUG 2 Elim Chan, conductor»
AUG 3 Fiddlers Four in Gre»
AUG 3 TCHAIKOVSKY 5 in Bos»
AUG 3 Chamber Music in Woo»
AUG 3 Inbal Segev, cellist»
AUG 3 Gryphon Trio in Rock»
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julian bream, maestro of g»
a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
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classical music attracts o»
‘the lost pianos of siberi»
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REL Precedent 646C tuner
Hillock TV-2 tube tester
Lamm ML-2 Single-Ended »
LF Transformer for 6C33C
Vitavox AK-15/40 15" ba»
Kenwood L-02T FM Tuner
“Tree Blind Mice” colle»
CEC TL-0 MK2 transport
Musatex-TP Bidat 20-Bi»
Vitavox 330Hz Horn for »
Lamm Industries M1.1 Mo»
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