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» Friedrich Kuhlau and his»
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» Mahler 3 and BPO.
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» Altec Lansing model 19 c»
» The DSET perspective exa»
» Copper Mat on a Micro Se»
» Splitting XLR into Multi»
» Micro Seiki Armboards: I»
» Do curved corners help???
» Is it the time to change»
» About my listening habit»
» MET Broadcast, season 20»
» Transparent horns
» Loudspeakers and headpho»
» Building horn onto power»
» Devid Berning amplifiers»
» Chasing utopian better p»
» What Passes for "Sp»
» The invisible sound barr»
» Festival “Son & Imag»
» How to USE “Resonating O»
» The unintended consequen»
» Listening to Music with »
» Abbado + Lucerne Festiva»
» HD Radio? Good, bad or u»
» High-End Audio Bass: wha»
» Joaquin Rodrigo’s “Conci»
» A[nother] Cautionary Tal»
» Hans Zenders’ orchestrat»
» Digi Redux; Drive 1 tran»
» For one day only
» What constitutes a great»
» A nice Vandersteen inter»
» The Jeff Day’s Westminst»
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Bookmarked are red
Olson Acoustical Book
Wiener Philharmoniker Di»
The Well Tempered Comput»
Tonal tests
Decca Classical discogra»
Lockwood Audio
Music & Arts
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Tuners Stereo Surgeons
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Doremi CD label
Martha Argerich Site
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Kenwood L-02T FM Tuner
REL Precedent 646C tuner
Lamm Industries M1.1 Mo»
Purist Audio Design Pro»
Sansui TU-X1 Tuner
“Tree Blind Mice” colle»
Lamm ML-2 Single-Ended »
Pacific Microsonics Mod»
Musatex’s Bidat Model "»
CEC TL-0 MK2 transport
Vitavox AK-15/40 15" ba»
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