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» Belcea Quartet
» A revolution for Executi»
» 4-way horn system Prelude
» Earl Geddes: Horny Book
» Class “D” – the industry»
» Engineering over Art
» Micro Seiki, tonearm,car»
» A new film about Karajan
» Problems with horns: upp»
» Valve Preamplifier for M»
» Magico: Robert Harley’s »
» About the DAW playback s»
» Better DAW by a “second”»
» The Dark Hope of Renee F»
» An Acquired Taste
» Philadelphia Orchestra c»
» Do curved corners help???
» The 68 dipoles imitation»
» Thomas Mayer’s Triamp
» Altec Model 19 in Boston.
» Mozart: "Cosi Fun T»
» Electro-Voice T350, T35,»
» How to switch moving coi»
» Anything wrong with wide»
» Klipsch Jubilee
» Preamplifiers: keys to m»
» Platine Verdier Magnum
» An Afternoon with Gary K»
» DHT driver & input
» Vox Olympian secrets unv»
» SET and speakers: disreg»
» Trinnov amplitude and im»
» Beethoven's Triple Conce»
» A playback and wrong not»
» Listening rooms and comp»
» Just-Sound of Audio vs. »
» CEC TL0-X: by no means a»
» The best “Die Fledermaus»
Bookmarked are red
Heart's Ease
JE Labs
Duke Classical
Dazy Web Labaratory
Wing Records
Club Abbadiani Itineranti
Exponential/Hyperbolic C»
Decca Classical discogra»
Direct Heated Rob
The AHRC Research Centre
THL Audio
John Lenard Burnett's si»
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Altec 515B bass drivers
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