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» The Full (fuller) Range »
» Some conical horns anti-»
» Help with RF loop
» Wasted Time and "be»
» How audio started….
» Audio and Music: four le»
» Where is the real Russia»
» The Dog eat my CDs.
» Horn high-sensitively ar»
» Is any interesting audio»
» The Absolute Sound of Au»
» Koussevitsky and La Mer
» 2+3 surround sound??
» New paradigm - what an &»
» Open letter to WGBH.
» Lamm LP2 phonostage: rev»
» State Symphony of Russia»
» Furtwangler War Years Re»
» Bad, bad, bad 1812 Overt»
» An interesting TT link: »
» Live memories of Live br»
» EnABL: Just a note to aw»
» The ultimate cancer of a»
» Single-stage Melquiades »
» The mystery of reversed »
» Someone is DSETing, it s»
» The DSET perspective exa»
» Stupid SME question abou»
» About the DAW playback s»
» The Nationals Anthems
» About bass horns by Joha»
» Downloadable DSD.
» Kalinnikov’s First Symph»
» Two-stages, hybrid, smal»
» Virginia Tech and Music
» RIAA pole two = 501,12 Hz
» Who builds horns?
» Gershwin's Rhapsody in B»
Bookmarked are red
Input Choke & Resonant C»
Toccata Classics
Audio Database
ECC99 - 6C33C SET
Vintage EV speakers
American Broadcasting
FM Radio Query
Exotic Audio
Polish GM70 Poject
The Cartridge Database
Audio Perfectionist
Phil Mundi Audio Pro Med»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Altec 515B bass drivers
Ortofon Mono CG 25 Di c»
Musatex-TP Bidat 20-Bi»
Kenwood L-02T FM Tuner
Micro Seiki RX-5000
Vitavox AK151 15" bass »
Electro-Voice T350 twee»
Micro-Seiki MAX-282 To»
Micro-Seiki Arm Board
Fane Studio 8 dual conc»
Lamm L2 Reference pream»
More Leftovers »»