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End of Life Phonostage
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» High-End Audio vs. High-»
» A passive but elegant pr»
» 6C41C – the journey to n»
» Think Denk and op.106
» Sounds of Science
» Devid Berning amplifiers»
» Targeted Audio Listening»
» Oliver Sacks' "Musi»
» Festival “Son & Imag»
» Crossover or non-crossov»
» “Why horns”, years later.
» The last message of audi»
» My beloved Contraltos: k»
» Yet another Gould box se»
» The “Melquíades” d&»
» CDs: good tendencies.
» A “pocket version” of Br»
» A good young conductor: »
» The Krell’s cursed Sound»
» Problems with horns: twe»
» Those experiences. Early»
» Amazing Altec 288 ++
» Headphone amplifiers. Ba»
» Audio industry metaphor
» NASA Reverberant Acousti»
» Oistrakh(s) on Monitor M»
» LF for use with Vitavox »
» Macondo 3.0
» First Order on Bass chan»
» Beethoven PVC Trio, Opus»
» Nikolaj Znaider's play a»
» A big subwoofer vs. an a»
» The 'Side's End Ceremony»
» "Master Quality Aut»
» Today’s SACD - music for»
» NOhorn channel for “the »
» The short "6C33C Su»
» Are Any Powerful Amps Wo»
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Music & Arts
Martha Argerich Site
OboinaThor
The Gustav Mahler Board
Irvington Music
Audio Spot Kamani
Ward Marston's "Marston"»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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