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» "O Vitavox, Vitavox»
» The jump-start of loudsp»
» Small SET’s bass, beside»
» GoodSoundClub – one year»
» Audio clubs in London, T»
» The absolutely “best” ma»
» Wilson Audio Setup Proce»
» Contact-free volume cont»
» Time Alignment : Live Pe»
» Pro Audio: JBL SR-4735X
» Tosca, Aida, Madama Butt»
» The "NEW T.H.E Show»
» To Rip or not to Rip.
» Driver tubes, grid leak »
» Polish Autotech steps up»
» Baltimore Symphony Appoi»
» Expectations in the conc»
» Roger Waters' Ça Ir»
» There is no need to say »
» Wagner and loudness.
» More Gieseking!
» BD-Design’s Orelino
» Do not over-damped your »
» Melquiades For Dummies™ »
» A contemporary AD1 Triod»
» Cerebral and psychologic»
» Active Tonearm Monitorin»
» About “strangeness” of A»
» What is the best or rule»
» More about the EdgarHorn»
» It is time for you to de»
» Someone is DSETing, it s»
» Avantgarde Trio G3 Louds»
» Brahms' Magelone Songs
» Sound is like a proverbi»
» Russian mythology and Ho»
» The “Dead Points of Live»
» Impossibility of commerc»
Bookmarked are red
Avie Records
Loudspeaker Designer's G»
Michelangeli Discography
The Well Tempered Comput»
BuyWell Australia's Clas»
Japanese's HiFiDo
Altec divers/horns
Hughs Ominous Tubes
Vladimir Lamm Site
Classical Music Forum
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Radiotron Designers Hand»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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SME M2 - 12" Tonearm wi»
REL Precedent 646C tuner
ESS AMT-1A Heil Air Mot»
Rohde & Schwarz MSDC Mu»
Vitavox S2/S3 diaphragms
Micro Seiki RX-5000
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