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Audio Knowledge Tree ™
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» Updated view: The Optima»
» Training amplifiers
» Big mama 1.5" horns»
» RMAF 2008 observations, »
» Listening playback with »
» Shostakovich’s 100th bir»
» Romy...thoughts on Lamm »
» John Cage about silence »
» Another topic on vitavox»
» MTT’s Mahler at 180 ghra»
» How to play Mahler 7 at »
» The New Year Concerts wi»
» Der Ring Des Nibelungen »
» Gould's Piano
» The Mercury "Rigole»
» Yet another Gould box se»
» Why the tubes shall be t»
» RCA’s Sound And The Story
» The Estonian idiocy: Est»
» 2011 Brucknerathon
» Van den Hul famous FAQ c»
» Natural Remedies for Sic»
» Single Driver speakers
» SET and speakers: disreg»
» Reinforced live sound in»
» Kenwood L-02T and the hy»
» A fundamentally faulty J»
» Be careful: Imaging vs. »
» Rachmaninoff PC 2: Conce»
» We don’t necessarily kno»
» Compression driver phase»
» Riccardo Muti and Chicag»
» Tuva Semminsen sings Viv»
» Okada’s installation.
» A ridicules speaker cable
» CEC TL0-X: by no means a»
» Summer Refreshment; the »
» Sound Quality and “Elect»
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Marston Records
Jong Woo's Site
Joachim Raff Society
Polish GM70 Poject
Daniels Audio
Takashi Asahina Group
Radio-Locator
Lockwood Audio
Rradiomuseum
Rottenburger Museen
ElecroVoice’s Vintage Pr»
Value of Records Tool
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AUG 2 CASSATT STRING QUART»
AUG 2 Elim Chan, conductor»
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ESS AMT-1A Heil Air Mot»
Electro-Voice T350 twee»
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Lamm L2 Reference pream»
Ortofon Mono CG 25 Di c»
Mid-range tantrix round»
Vitavox S2/S3 diaphragms
Tribute Output Amorphou»
Stage Acompany SA8535 d»
Sansui TU-X1 Tuner
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