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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Where high-end audio sta»
» Why Hight-End Audio, as »
» Problems with horns: mid»
» Align your FM tuners!
» Kevin Puts, American Com»
» Eq for 78's
» Wharfedale Super 12/RS/D»
» Bliss
» Tannoy's Flagship by Jef»
» ESS Connoisseur: a sensi»
» Transfer: The reel-to-re»
» Problems with horns: upp»
» Macondo’s Midbass Projec»
» Minusk: a new Vibraplan?
» About the DAW playback s»
» Melq 6e5p driver stage f»
» The Home Theater thought»
» Midbass Horns and Real E»
» Belar fms-2 Vs. r&»
» The realty of UHF and LF»
» Shopping for DSD Convert»
» EMIA Phonostage.
» The “new” ways for initi»
» RIP, Joan Sutherland, &q»
» DIY Void acoustics Air m»
» I need a “second-type” p»
» 3.5m Tractrix Horn Proje»
» The Andrew Rose’s “Prist»
» Lutoslawski’s Concerto f»
» Why I do not like La-hor»
» Tuuubes - where are the »
» Electrovoice t350 repair»
» The path of simplificati»
» My today’s views on LP c»
» 6C33C myths: audio Moron»
» The 5-ways from Germany.
» Playback as an expressiv»
» How to build the best au»
Bookmarked are red
Lenard's Opals monitor
Scriabin's Sonatas
Value of Records Tool
The Thiele-Small Loudspe»
Delta Entertainment
Classic Records UK
RAAL ribbons
Hughs Ominous Tubes
Seen and Heard
Irvington Music
Aria Database
Eugene Ormandy Pages
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Micro-Seiki air-suspend»
Lamm L2 Reference pream»
Korvet “Egg” Tonearm
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Altec 515B bass drivers
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