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» Expressive Technologies »
» Acoustic Treatments That»
» Anyone Care to Make Odds»
» If you play a guitar…
» Memories of audio elemen»
» The Trout - Perlman, Ba»
» Other Ways of getting Sp»
» Who builds horns?
» What would be left in au»
» Here is my new tonearm.
» Antenna Cable Connection
» “How audio might sound”
» The “sounds” that I am l»
» Direct to Disc: The Brah»
» The ULF cannel for my ne»
» The Silence of the Lamms!
» About dymick sparkling.
» Gershwin's Rhapsody in B»
» The BSO and Digital Musi»
» His Master Voice’s Shade»
» Try something unusual an»
» De-stress not decompress»
» Carbon Interconnect
» Gaussmeter wanted.
» Expectations in the conc»
» Mahler VI - Barbirolli w»
» Ale horns on ebay possib»
» Playback and Perception »
» Romy, how does the origi»
» Problems with horns: upp»
» Incorporating active cro»
» The WHRB’s Rimsky-Korsak»
» Tuuubes - where are the »
» Who has best sound in Hi»
» My (Amplification + Acou»
» Altec A2
» Analogue to digital conv»
» The remarkable moments i»
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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NPR Classical Programs
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he wasn’t toscanini, but h»
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Composer's Anniversaries
Tartini, Giuseppe (8 April»
Reicha, Anton (26 February»
Strauss, Franz (26 Februar»
Draeseke, Felix (7 October»
Kuyper, Elisabeth (13 Octo»
Alexander, Russell (26 Feb»
Bridge, Frank (26 February»
Appeldoorn, Christina (Din»
Vainberg, Moishei (Mieczys»
Weinberg, Moishei (Mieczys»
Ewers, Tim (26 February 19»
Shaver, Christopher (26 Fe»
My Audio Leftovers
Lamm ML-2 Single-Ended »
Lamm Industries M1.1 Mo»
Altec 808A compression »
Koetsu Onyx Platinum Ca»
Korvet “Egg” Tonearm
Pacific Microsonics Mod»
“Tree Blind Mice” colle»
REL Precedent 646C tuner
Conscience of audio rev»
Micro-Seiki Arm Board
Purist Audio Design Pro»
More Leftovers »»