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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» Lamm hybrids: M1.2 vs. L»
» The BSO and Digital Musi»
» Joseph Haydn, Six Esterh»
» Accuracy vs. Musicality »
» 6E6P-DR in triode mode
» Kharma Loudspeakers reac»
» Live memories of Live br»
» RIP Henryk Mikolaj G»
» Shi-Yeon Sung and BSO
» The A=432 Hz Frequency
» Sound from behind a wind»
» Puccini: Tosca
» Weber’s "Andante e »
» Macondo Horns: biography.
» Festival “Son & Imag»
» Don't position speakers »
» Harry Pearson new round »
» The evil of low sensitiv»
» About the pre-warming of»
» Pono & Meridian - an»
» RIAA pole two = 501,12 Hz
» Good commercial speakers
» Vitavox 12 cell Horns + »
» The Church of Denon 103C
» The experiments with rem»
» The corrupted listening »
» "Something is rotte»
» Big mama 1.5" horns»
» What is wrong there and »
» Cool running AB amplifie»
» Stay home with Bruckner
» K-Stereo Ambience Recove»
» “Zarathustra” amplifier:»
» My horn speakers system.»
» High-End Audio. The thir»
» Mysterious Russian Tromb»
» Ravel's String Quartet; »
» Playing American Music o»
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Hughs Ominous Tubes
The Gustav Mahler Board
Recording Technology His»
StateWork Broadcast Reco»
Dr. Bruce Edgar Interview
Classical Collections
Opera Collector Guide
Robert Greene’s "Reg on »
Aria Database
Jim Moskowitz's Unknown »
Japanese's HiFiDo
Linkwitz's "Laboratory"
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
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APR 12 Takács Quartet in Gr»
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Altec 515B bass drivers
Mid-range tantrix round»
Lamm ML-2 Single-Ended »
CEC TL-0 MK2 transport
Lamm L2 Reference pream»
Sansui TU-X1 Tuner
Ortofon Mono CG 25 Di c»
Micro Seiki RX-5000
Musatex-TP Bidat 20-Bi»
Fane Studio 8 dual conc»
“Tree Blind Mice” colle»
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