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End of Life Phonostage
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» What drives good sound?
» About DSET-driven multi-»
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» Goto SG-370DX measurement
» The bogusness of the coa»
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» Sauna and Audio
» Why horn-loaded loudspea»
» Strings reinforced sound»
» Macondo copying: Horns t»
» The EdgarHorns: the new »
» Making it sing...
» K-Stereo Ambience Recove»
» Magico: biological minde»
» A beautiful miller's dau»
» After-concert download –»
» Musicians' ear
» Smetana's Piano Trio
» Digital Voicing
» If you play a guitar…
» Oliver Sacks' "Musi»
» The 'nature' of said rea»
» Steinway and Lyngdorf lo»
» June in Boston with Earl»
» Despicable me
» Time Alignment : Live Pe»
» The Dvorák’s Tone P»
» Tchaikovsky: Symphony No»
» How does it sound?
» Anybody building or usin»
» Myth of CD clocking = Tr»
» The “new” ways for initi»
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» A passive but elegant pr»
» Deficiency of sensible a»
Bookmarked are red
Glenn Gould Audio Archiv»
RAAL ribbons
Unofficial Vitavox Site
Rottenburger Museen
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Female Composers Site
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Polish GM70 Poject
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 1 Zlata Chochieva, pia»
APR 3 Dima Slobodeniouk, c»
APR 3 Lindsey Chapel Serie»
APR 4 Dima Slobodeniouk, c»
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a woman takes the podium a»
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it’s (almost) business as »
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Stage Acompany SA8535 d»
Micro-Seiki air-suspend»
Vitavox AK-15/40 15" ba»
Mid-range tantrix round»
Lamm L2 Reference pream»
Sansui TU-X1 Tuner
Rohde & Schwarz EU-6201»
Tribute Output Amorphou»
Hillock TV-2 tube tester
Lamm Industries M1.1 Mo»
ESS AMT-1A Heil Air Mot»
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