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End of Life Phonostage
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» Rachmaninoff’s Symphony »
» Mahler 3 and BPO.
» A different type of uppe»
» Mysterious Russian Tromb»
» 60hz, GPA-515-8ghp horn.»
» CES – constant but fortu»
» June in Boston with Earl»
» Floor reflections
» The New York Philharmoni»
» First Bruckner listening»
» Conductor Herbert Kegel
» Emmerich Kalman (1882-19»
» About Stupid Dynamic
» Equalizer? Hm…
» RCA’s Sound And The Story
» It takes balls to shop (»
» A Plasma Tweeter made in»
» Lamm L1 vs. L2 preamp
» If you play a guitar…
» Lamm hybrids: M1.2 vs. L»
» About Harry Pearson lega»
» “They either adore me or»
» My beloved Contraltos: k»
» In defense of Mikhail Pl»
» Walter conducting Vienna»
» Shall quality-price be r»
» My new favorite "Ne»
» Wiener Philharmoniker r»
» Forward in the past with»
» Beethoven PC 5 Surprise »
» Single-stage Melquiades »
» A dive to Auro 3D
» Zander's new Masterclass
» Hi-Fi Mini Systems
» Perception of bass?
» Avantgarde Trio G3 Louds»
» 5 way system in the UK
» Melquiadising other amp?
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Max Robinson’s “Fun With»
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The Well Tempered Comput»
The National Valve Museum
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Nornan Lebrecht's blog
Graeme's Speaker DIY Pag»
NPR's SymphonyCast
Recording Technology His»
Vintage EV speakers
The Soul of Sound
Toccata Classics
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APR 11 Benjamin Zander, con»
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Kenwood L-02T FM Tuner
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“Tree Blind Mice” colle»
Micro-Seiki MAX-282 To»
Purist Audio Design Pro»
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Lamm ML-2 Single-Ended »
LF Transformer for 6C33C
REL Precedent 646C tuner
Altec 515B bass drivers
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