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» My old Fi-Hi gear associ»
» Bye-bye Studer…
» Cobbett
» Does high-sensitivity sp»
» Dukane 5A540 Compression»
» Smetana's Piano Trio
» The centuries old strugg»
» Help with Math needed.
» That is not 1812 and the»
» Accuracy vs. Musicality »
» Amazon and MP3
» I good spot-light for a »
» Practical Guide for Back»
» The Home Theater thought»
» The open project: a late»
» 2+3 surround sound??
» Primitive steps for stan»
» Brahms' Magelone Songs
» I hate, hate, hate, hate»
» How much does it cost to»
» TAS article: start of th»
» Loudspeaker: Sound repro»
» Align your FM tuners!
» Small spaces
» Chinese upperbass horn.
» Pono & Meridian - an»
» My reading for a “smalle»
» Deficiency of sensible a»
» Panel with Peter Qvortru»
» Making musical instrumen»
» Ludwig van Beethoven &qu»
» Fake Vitavox S2 diaphrag»
» Munich High End 2010
» Omni-directional 'horny'»
» Bose audio and industry »
» Is anybody live in Austr»
» An interesting read abou»
» Bravo, Stereophile: Adve»
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Classical events in Boston
APR 11 Benjamin Zander, con»
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APR 12 Takács Quartet in Gr»
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Composer's Anniversaries
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My Audio Leftovers
Vitavox AK-15/40 15" ba»
Tribute Output Amorphou»
Musatex’s Bidat Model "»
Mid-range tantrix round»
Lamm Industries M1.1 Mo»
Lamm L2 Reference pream»
Ortofon Mono CG 25 Di c»
Electro-Voice T350 twee»
Sansui TU-X1 Tuner
Micro-Seiki MAX-282 To»
Hillock TV-2 tube tester
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