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» 3012 silicon dumping
» Sound of Ehernet cables?
» Stop having a fear of ho»
» The Art of Pablo Casals,»
» I have a dream, the drea»
» Introduction to “Melquia»
» An idea of “Rain Wake-Up»
» A CD off tune? The Big C»
» What a week in Boston!
» High-End Audio. The thir»
» Horn high-sensitively ar»
» Contact-free volume cont»
» How High-End Audio can b»
» The new G.I.P speakers.
» Rendezvous Mit Richard T»
» How idiots destroy sound.
» Do not touch that used t»
» The silence after coda
» The “Implied Sound” in A»
» Critique audio performan»
» Another light for the LS»
» Dvorak Piano Quintet
» The absolutely “best” ma»
» Strings reinforced sound»
» Deep-cryogenically treat»
» Don Quixote BSO Live tod»
» Recording options: Pacif»
» Sonic consequences of re»
» Transfer: The reel-to-re»
» I have a dream, the drea»
» Günter Wand Intervi»
» Tightening to loosening »
» About the Playbacks’ Thi»
» Micro Seiki, tonearm,car»
» Vitavox S2 with Electrom»
» Does Reference Recording»
» Yamaha 6681B
» Tweeter for Vitavox S2. »
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
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it’s (almost) business as »
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Pacific Microsonics Mod»
Lamm Industries M1.1 Mo»
CEC TL-0 MK2 transport
Micro-Seiki air-suspend»
Purist Audio Design Pro»
Rohde & Schwarz EU-6201»
Vitavox S2/S3 diaphragms
ESS AMT-1A Heil Air Mot»
Micro-Seiki MAX-282 To»
Altec 515B bass drivers
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