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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
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» Clean and polish gunmeta»
» Bach Piano Concertos, 1,»
» RIP Henryk Mikolaj G»
» Tchaikovsky’s “Evgeny On»
» My new “New” listening r»
» Wywires – “Custom” desig»
» Listening rooms and comp»
» Kevin Brooks Acoustic Sy»
» Think ahead how to measu»
» Bye-bye Studer…
» Short midbass horns
» Fostex tweeters, Lowther»
» Do not pursue full-range»
» The ways to delay horns »
» Kharma Speakers as pH-in»
» Dedicated Music Room Bui»
» Patricia Kopatchinskaja »
» Sansui AU-X1 bomb...
» Hässler sonata: Gra»
» The Studio AU projects.
» Who has best sound in Hi»
» Preamplifiers: keys to m»
» 5 way system in the UK
» Furtwangler War Years Re»
» Good commercial speakers
» Does Reference Recording»
» Andrew's new 4-way horn »
» Brahms, "Liebeslied»
» Micro Seiki DD30 Headshe»
» Silicone gel damping?
» The cPlay software.
» Problems with horns: upp»
» Do curved corners help???
» Classical Music for the »
» Baseline measurements an»
» Macondo vs Dannoy = Esse»
» Optical Cartridge: groun»
» Dynamic range in histori»
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The Music Parlour.
Truesound Transfers
Virtuosos Discographies
OboinaThor
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Vincent Brient's Sit
Audio Database
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
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Lees, Benjamin (8 January »
Starer, Robert (8 January »
Moran, Robert (8 January 1»
Sprague, Frank (8 January »
Stage Acompany SA8535 d»
Micro-Seiki MAX-282 To»
Lamm ML-2 Single-Ended »
REL Precedent 646C tuner
Hillock TV-2 tube tester
Rohde & Schwarz MSDC Mu»
Electro-Voice T350 twee»
Fane Studio 8 dual conc»
Koetsu Onyx Platinum Ca»
Purist Audio Design Pro»
Tribute Output Amorphou»
More Leftovers »»