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» The LCR RIAA correctors
» The industry’s high qual»
» Ways to use audio method»
» Radio Netherlands’ Live!»
» Truly a new use of high-»
» Reel-to-Reel Tape vs. Ra»
» Custom enclosure?
» Antenna solutions for FM
» Some Audiogon realty
» The mono cartridges para»
» Midbass impedance bumps »
» Boston Philharmonic Mahl»
» CEC TL0-X: by no means a»
» Is anybody live in Austr»
» Do not reproduce extreme»
» How to mitigate the expe»
» Driver tubes, grid leak »
» Yo-yo Ma live on the int»
» Lamm ML2.2 and Mark the »
» The experiments with rem»
» Vertical Axis Midbass Ho»
» The new CEC TL1 transpor»
» Motion Picture Sound
» Tosca, Aida, Madama Butt»
» Lamm L1 vs. L2 preamp
» The open project: a late»
» Russian Orthodox liturgy»
» Easy Bruckner for Beginn»
» (Whose) classical music.»
» 45Hz Bass Horn
» Superior electric bindin»
» Philadelphia Orchestra c»
» The loudspeakers for a p»
» SF audio gurus?
» Inside views of "me»
» Audio Quality Matters in»
» Italy’s the best: Michel»
» About moronity of DIY Au»
Bookmarked are red
Rradiomuseum
Stereopal
Dr. Bruce Edgar Interview
Tahra Records
IMSLP Music Library
ElecroVoice’s Vintage Pr»
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Qualiton
The Thiele-Small Loudspe»
Jong Woo's Site
Exponential/Hyperbolic C»
The Music Parlour.
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Hillock TV-2 tube tester
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Sansui TU-X1 Tuner
Micro-Seiki Arm Board
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CEC TL-0 MK2 transport
Vitavox S2/S3 diaphragms
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