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» Bruckner 8 in Washington»
» GoodSoundClub – one year»
» The Herbert von Karajan’»
» About the Audio Neutrali»
» Proximity of horn’s cros»
» A quest for a better SET.
» Tokyo Opera City Concert»
» Andre Previn in Boston.
» About Darwinism of Music»
» Transfer: The reel-to-re»
» Nanse Gum and his Euro-A»
» To Milq builders: correc»
» The meaning of lowest oc»
» Chord QBD76 - the new dac
» The contemporary pressin»
» Looking for something di»
» Another Boston Radio Sta»
» How would you handle it?
» The Bruckner 5 by Benjam»
» 2010 Classical Grammy No»
» Radiation patterns match»
» Gospel, pop, jazz and co»
» Lamm Industries: a speci»
» Italy’s the best: Michel»
» Khachaturian anyone?
» Mercury Living Presence »
» Riccardo Muti and Chicag»
» The state of High-Effici»
» Copland/BSO/Copland
» Beethoven PC 5 Surprise »
» LLoyd Walker Never Rests
» Hans Zenders’ orchestrat»
» Double enclosure or usin»
» Sound of Ehernet cables?
» I think it is the end.
» The Second stereo arm pr»
» Tanglewood Music Center »
» About the audio Sources.
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Carlos Kleiber List
Parnassus Records
Hughs Ominous Tubes
Ron Penndor's Recollecti»
Exponential/Hyperbolic C»
The Thiele-Small Loudspe»
Audio Database
Boom's Dungeon
Elliott Sound Products
Lenard's Opals monitor
Conductor’s Corner
Former Sirkorski Site
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Altec 515B bass drivers
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