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Playback journeys and Mu»
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Yamamura's 6 ways
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A datacenter at home and»
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Time alignment of drivers
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Emmerich Kalman (1882-19»
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Taking the mystery out o»
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47 Lab new turntable and»
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Michael Fremer Continuum»
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Beethoven's Triple Conce»
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A new European productio»
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Andre Previn in Boston.
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The Saudi Arabia and Uni»
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Upcoming Bruckner 4
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Wilson Audio and the Moo»
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A sort of DPOLs
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Surprising: the most int»
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Vitavox S2 with Electrom»
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Tubas and Mc-step
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Does Reference Recording»
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"Seamless extended »
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Mahler 3 and BPO.
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Vitavox 12 cell Horns + »
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Anything wrong with wide»
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Melquiades: too early fo»
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Altec Lansing model 19 c»
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A longer turntable belt.
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Swell New RIAA-Only Phon»
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Why the tubes shall be t»
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The foolishness of multi»
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EMI rollercoaster across»
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ESP Concert Grand SI Lou»
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Hideous American operas.
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Super Melquiades, Macond»
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Engaging the David Haign»
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Passive line level cross»
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Fuck you, the Shunyata's»
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Speakers: a hi-fi disast»
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FM and live real-time br»
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Classical events in Boston
APR 5
Song of Songs / Song»
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How it Ends in Bosto»
APR 6
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The New World in Var»
NPR Classical Programs
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a woman takes the podium a»
he wasn’t toscanini, but h»
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Composer's Anniversaries
Reinken, Jan Adams (27 Apr»
Joplin, Scott (24 November»
Kee, Cor (24 November 1900»
Schnittke, Alfred (24 Nove»
van de Goor, Joost (24 Nov»
Verdi, Luigi (24 November »
Boustead, Seth (24 Novembe»
My Audio Leftovers
Vitavox 330Hz Horn for »
“Tree Blind Mice” colle»
Lamm Industries M1.1 Mo»
Hillock TV-2 tube tester
Micro-Seiki air-suspend»
Vitavox S2/S3 diaphragms
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Conscience of audio rev»
Rohde & Schwarz MSDC Mu»
ESS AMT-1A Heil Air Mot»
Kenwood L-02T FM Tuner
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