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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
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» Some Audiogon realty
» The “Dead Points of Live»
» Why David Robertson does»
» Klangfilm: actual knowle»
» Wanted Vitavox S2 Origin»
» Dedicated horn loaded mi»
» The high-end audio, as i»
» Why the tubes shall be t»
» A better way of approach»
» The BEST bass cable?
» Where are our good phono»
» Macondo – Super Melquiad»
» Rod Poole 1962-2007
» Subjective evaluation of»
» Tell me about more about»
» A stunning contra-Bruckn»
» Submerging deeper into A»
» Think Denk and op.106
» Don't position speakers »
» The 68 dipoles imitation»
» Watching conductors of t»
» Not just another leather»
» A different breed of 6C3»
» Monitors: Wishful thinki»
» It is imposable to “hear»
» ... and some Bruckner bu»
» Null-set dipole butterfl»
» Playback evaluations mad»
» Liszt Piano Sonata &»
» Natalia Gutman (!) in Bo»
» A speaker set with JBL 2»
» The bogusness of the coa»
» Dvorak/"Dumky"»
» Eventually I’ve seen a l»
» Audio equipment vs. live»
» Pacific Microsonics Mode»
» High-End Audio and ... p»
» Celebrating Anton Bruckn»
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Musical Instrument Jokes
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MetManiac Opera Archive
Graeme's Speaker DIY Pag»
About FM Antennas
Rachmaninoff Photos
Opera Collector Guide
Audio Perfectionist
Exponential/Hyperbolic C»
OboinaThor
NPR's SymphonyCast
Art Songs and Librettos
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Micro-Seiki Arm Board
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Sansui TU-X1 Tuner
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