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» GoodSoundClub – one year»
» Speakers: a hi-fi disast»
» Swell New RIAA-Only Phon»
» Infinite Baffle Implemen»
» Antenna diversity system»
» The tapped horns: cons, »
» More about the EdgarHorn»
» How to manage audio powe»
» Afraid loudspeakers that»
» Introduction to “Melquia»
» Looking for different So»
» Nothing Is Perfect
» Midbass impedance bumps »
» Here is my new tonearm.
» Macondo listening experi»
» My horn speakers system.»
» Shaky tubes, echo testing
» The absolutely “best” ma»
» Pacific Microsonics Mode»
» DBT - a signature of lis»
» Electrostatic Sub Horn
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» The short "6C33C Su»
» X-mas list
» Jaap van Zweden kicks as»
» DIY LCR phono
» Remote control, problems»
» Graphene for Audio
» JBL LE8
» Battling stupid Horn Cri»
» Where is the real Russia»
» The nature of "soun»
» Kenwood L-02T and the hy»
» An Interview With Dr. Br»
» Use absolute polarity as»
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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NPR Classical Programs
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he wasn’t toscanini, but h»
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Composer's Anniversaries
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Marchand, Louis (2 Februar»
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Harrison, Lou (14 May 1917»
Gelt, Andrew (2 February 1»
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Wickham-Smith, Simon (2 Fe»
Hoffman, Marcus (2 Februar»
My Audio Leftovers
Purist Audio Design Pro»
Electro-Voice T350 twee»
Micro-Seiki MAX-282 To»
Altec 808A compression »
Lamm ML-2 Single-Ended »
Rohde & Schwarz MSDC Mu»
Fane Studio 8 dual conc»
Sansui TU-X1 Tuner
Ortofon Mono CG 25 Di c»
Micro-Seiki air-suspend»
Vitavox AK151 15" bass »
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