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For one day only
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The Andrew Rose’s “Prist»
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Don Quixote BSO Live tod»
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Happy birthday Johann Se»
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German Odeon horns.
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Maria Callas’s Glory Day»
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Mr. Kleen Stylus cleaner
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Magico Model 6 loudspeak»
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The Milq’s power supplie»
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Music and WW3
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Romy the Cat’s Audio Hom»
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CEC TL0 3.0 trasport
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The wonder of Ayre Acous»
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ULF: where is the border»
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Vertical Axis Midbass Ho»
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Appearance of listening »
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Memory Player Box?
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The industry’s high qual»
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What is High-End Audio, »
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A very good horns system.
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A single worst thing in »
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Another light for the LS»
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Should I low pass the mi»
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Macondo Horns: biography.
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A Moscow setup with Horn»
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A very slow monolog abou»
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I have a dream, the drea»
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Hammond?
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The mystery of Koetsu On»
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'Ideal' ceiling height? »
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UHF capable tweeters and»
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Bach and kids…
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3 way Tractrix Horn Buil»
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World's First Concrete R»
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Audio Quality Matters in»
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How we "think"»
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Bruckner Sinfonie Nr.8, »
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Classical events in Boston
APR 11
Benjamin Zander, con»
APR 12
Chamber Music in Nee»
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Magdalene Ho, pianis»
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Takács Quartet in Gr»
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In Search of New Wor»
NPR Classical Programs
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Classical Music News
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he wasn’t toscanini, but h»
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Composer's Anniversaries
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Gerhard, Roberto (25 Septe»
Sviridov, Georgi Vasilievi»
Neuman, Hans Federico (19 »
Monzo, Joe (5 January 1962»
My Audio Leftovers
Purist Audio Design Pro»
Vitavox AK-15/40 15" ba»
Ortofon Mono CG 25 Di c»
“Tree Blind Mice” colle»
REL Precedent 646C tuner
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Micro-Seiki air-suspend»
CEC TL-0 MK2 transport
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