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» Tannoy Red 1960s: some s»
» DSET and Cables.
» A new 'chic' foolishness»
» High End Munich 2014 imp»
» REL Precedent Tuner - An»
» Designing and building a»
» German Odeon horns.
» Interesting non horn spe»
» Adding one more spherica»
» Tuners and digital noise»
» Custom enclosure?
» Macondo's Axioms: Horn-l»
» Better organization/desi»
» Custom made woofers.
» Suggested target curves »
» Natural Remedies for Sic»
» Tchaikovsky: Symphony No»
» How to insert youtube vi»
» Large La or Tratrix horn»
» Just-Sound of Audio vs. »
» How to build the best au»
» The “guest musician opin»
» Entereing the "Desi»
» Mahler 3 and BPO.
» Speaker hunting
» Some evidence for the ch»
» More Gieseking!
» The “Melquiades” Sound -»
» My playback can’t play l»
» Khachaturian anyone?
» Use absolute polarity as»
» Scientific vs. audio act»
» Remastering (and re-loca»
» Why I hate HornResp.
» Haniwa Cybernetic Audio »
» Upperbass horns – tone v»
» Hildegard von Bingen on »
» It is imposable to “hear»
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Rachmaninoff Society
Wiener Philharmoniker Di»
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WGBH's “Keeping Score”
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Hillock TV-2 tube tester
Stage Acompany SA8535 d»
Rohde & Schwarz MSDC Mu»
Altec 515B bass drivers
Kenwood L-02T FM Tuner
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