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» How audio started….
» Allnic Verito MC Phono C»
» From bad Opera to good O»
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» CES 2006
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» CD horn and JBL: Crossov»
» The Mozart’s Dorabella a»
» The best Third Movement »
» The "Lopsided"»
» Chasing utopian better p»
» The Sound assessment rec»
» Attempt of a playback sy»
» Some Audiogon realty
» Atkinson vs. Tektronix: »
» Weber’s "Andante e »
» Like colourful contrasts»
» Beware of the Arkive Mus»
» Beethoven PC 5 Surprise »
» FM Acoustics: The most i»
» Building Melquiades: Chr»
» Integrated sound field o»
» Upcoming Bruckner 4
» Russian mythology and Ho»
» Tightening to loosening »
» Brahms 4th Symphony in i»
» Callas and Tebaldi Compa»
» “Get Better Sound” by Ji»
» Prokofiev's cantata
» About audio sales and h»
» High-End Audio Bass: wha»
» Dynamic range in histori»
» Klangfilm: actual knowle»
» About Darwinism of Music»
» A quest for a better SET.
» DAW is down… new DAW.
» John Curl’s new phonosta»
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
NPR Classical Programs
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cellist lynn harrell has di»
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c.p.e. bach: mercurial dive»
Classical Music News
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julian bream, maestro of g»
a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
from concerts to cartoons:»
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‘the lost pianos of siberi»
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leon fleisher, 92, dies; s»
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Composer's Anniversaries
Praetorius, Jacob (8 Febru»
Torelli, Giuseppe (22 Apri»
Grétry, André-Er»
Burgmüller, Norbert (»
Vermeulen, Matthijs (8 Feb»
Lutosławski, Witold (»
Williams, John (Towner) (8»
My Audio Leftovers
Vitavox AK151 15" bass »
Rohde & Schwarz EU-6201»
Musatex’s Bidat Model "»
Altec 808A compression »
Pacific Microsonics Mod»
Electro-Voice T350 twee»
Kenwood L-02T FM Tuner
Koetsu Onyx Platinum Ca»
ESS AMT-1A Heil Air Mot»
Vitavox S2 Compression »
Korvet “Egg” Tonearm
More Leftovers »»