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» Philadelphia Orchestra c»
» Le C'leach horn rear cha»
» Digi Redux; Drive 1 tran»
» Making it sing...
» Why David Robertson does»
» The Norman Lebrecht’s ar»
» Big room vs small room
» Some Audiogon realty
» To Rip or not to Rip.
» Vendors’ Egos.
» WGBH Opera Bash 2009
» Johannes Brahms - Sympho»
» Justification of Buying »
» A minor Audio depression»
» Virginia Tech and Music
» Midbass Horns and Real E»
» San Francisco in Februar»
» Macondo – Super Melquiad»
» Revisiting DSP
» News and Events down sin»
» Some Orchestra on Demand»
» Use absolute polarity as»
» Dynamic range in histori»
» Arsenic bacteria & G»
» Best recording I heard i»
» Sounds of Science
» The 5th horns in stack o»
» Sound from behind a wind»
» Hiroyasu Kondo: “My thou»
» New superlative horn bui»
» Pacific Microsonics Mode»
» Rach’s Prelude in C-shar»
» Beware of PurePower Part»
» Magico Model 6 loudspeak»
» Gas voltage reference 0A»
» American National Record»
» Expensive Audiophilism a»
» FMFool – a truly useful »
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Irvington Music
Audiofederation's Blog
Dr. Bruce Edgar Interview
Jong Woo's Site
Exponential/Hyperbolic C»
Nubes Partem
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Haenssler Classic
Vincent Brient's Sit
Holger Klein's Soundpage»
Michelangeli Discography
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Kenwood L-02T FM Tuner
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Micro Seiki RX-5000
CEC TL-0 MK2 transport
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Hillock TV-2 tube tester
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