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» The need for a balanced »
» Not new, but VERY intere»
» Macondo and ALE drivers,»
» Magico: Robert Harley’s »
» Romy, how does the origi»
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» BBC broadcasting radio e»
» Disregard the industry p»
» Seven hours of live musi»
» Bruckner, Wind and the w»
» The iHorn - a passive a»
» Do not buy CDs mastered »
» The A=432 Hz Frequency
» Bad orchestras shell not»
» A new European productio»
» Parts As Facilitators or»
» Some horn writing by Tho»
» Why I do not love Mahler?
» The wonder of Ayre Acous»
» State Symphony of Russia»
» Stop buying the records »
» RIP Pauline Oliveros
» SF audio gurus?
» Berlin, Bruckner 8 in Ma»
» A world class deaf percu»
» K2HD -yet, another CD fo»
» It was seventy years ago»
» The best Third Movement »
» The best practices for D»
» Recommend me works to ge»
» Brahms, "Liebeslied»
» Kitties go to London
» New Lynx A/D and D/A pro»
» Signal variation, noise,»
» “Harmonic Speed”- friend»
» Aporia - Silbatone Acous»
» Brahms 4th Symphony in i»
» Fuck you, the Shunyata's»
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