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Melquiades SET Amplifier
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End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» More power from Melquiad»
» A quest for a better SET.
» New CubeAudio Tractrix H»
» A fundamentally faulty J»
» Eduardo de Lima is a fre»
» Conclusions on my Home a»
» The “Wet and Fuzzy” cabl»
» About my listening habit»
» "Seamless extended »
» BSO and 192kps
» A lucidly implemented di»
» Brilliant audio Quotes.
» The Silence of the Lamms!
» Audio equipment vs. live»
» Richard Wetz and Martin »
» Chicago Horn Loudspeaker»
» Moerch DP6 and DP8 “anis»
» Audio treasure find
» S2 Hissing Sound
» Null-set dipole butterfl»
» Semi-Interesting film fr»
» Compression at WCRB - b»
» Terminal Velocity? Smart»
» Education vs Magic
» Who the hell is this int»
» The new releases from &q»
» Audio Shopping vs. Piano»
» Mercury Living Presence »
» The commercial music ser»
» Romy stalked me on the f»
» The single-ended pretens»
» Amplification and Consci»
» Question on speakers
» Levels of High End Audio»
» CD horn and JBL: Crossov»
» PS Audio's digital appro»
» Audio Enigma Variation
» A primer on high-end mar»
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Radiotron Designers Hand»
Great Plains Audio
Classical Music Network
Hub Arts
Willem Mengelberg discog»
Graeme's Speaker DIY Pag»
Wood Horn Speakers
Altec divers/horns
Thomas Dunker's Site
Wiener Philharmoniker Di»
OboinaThor
Rachmanionoff's links
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Korvet “Egg” Tonearm
Mid-range tantrix round»
Vitavox AK151 15" bass »
Sansui TU-X1 Tuner
LF Transformer for 6C33C
Micro-Seiki MAX-282 To»
Ortofon Mono CG 25 Di c»
Vitavox AK-15/40 15" ba»
“Tree Blind Mice” colle»
Lamm L2 Reference pream»
Vitavox S2/S3 diaphragms
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