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» Bruckner, me and the Sev»
» Learn to differentiate b»
» The “Melquiades” Sound -»
» Got new mid/high horns. »
» The exaggerated boots un»
» The Avicenna's failure i»
» Who inherit Mocondo or a»
» Next week in Metropolita»
» WE15a plans
» My new “New” listening r»
» NAT Audio Magna -160 Wat»
» The Real Total Horn
» Is it the time to change»
» Klipsch Jubilee horn
» DIY multicellular horn
» Red Violin Concerto
» Lowther Driver
» Adding one more spherica»
» Romy The Cat's new Liste»
» The girl with banjo - th»
» Brahms 4th Symphony in i»
» Rightsizing from extreme»
» Steinway and Lyngdorf lo»
» A lucidly implemented di»
» Festival “Son & Imag»
» About destiny of “High-E»
» Stands for Super Melquia»
» Chicago Horn Loudspeaker»
» Object-oriented audio re»
» Meitner Audio - Ed Meitn»
» The commercial music ser»
» It’s mad, mad, mad... e»
» The evenings with Greate»
» Corner Speakers for a ne»
» Hi from Melbourne, Austr»
» Esther Kim. What did you»
» A Scratched Horn.
» What TRULY high-audio p»
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Alexander Karpov’s “Next»
Austria's Musical Exiles
The Bruckner Discography
Sound Tourism
Heart's Ease
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APR 11 Benjamin Zander, con»
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APR 12 Magdalene Ho, pianis»
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Sansui TU-X1 Tuner
Vitavox AK151 15" bass »
LF Transformer for 6C33C
Ortofon Mono CG 25 Di c»
Lamm L2 Reference pream»
Altec 808A compression »
Lamm ML-2 Single-Ended »
Vitavox S2 Compression »
Korvet “Egg” Tonearm
Altec 515B bass drivers
Purist Audio Design Pro»
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