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End of Life Phonostage
Audio Demoronizator AD-1
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» Impressions from High En»
» The crossovering Messiah»
» The "Lopsided"»
» The sound compromises of»
» Shall quality-price be r»
» A dive to Auro 3D
» We who are about to die.»
» Horn length/expansion/gr»
» How to make a music pers»
» Aesthetix Rhea Signature»
» The New York Philharmoni»
» Brahms, "Liebeslied»
» Macondo + Milq… very nic»
» D'Agostino/Momentum SS M»
» Etheraudio's some BS….
» Shi-Yeon Sung and BSO
» Editing your own posts
» EAR Yoshino DAC 4 by Tim»
» I do not know what else »
» 'Fundamental rich' liste»
» Midbass Horns and Real E»
» Tube outputted CDP's and»
» The nature of "soun»
» NAT Audio Magna -160 Wat»
» 5 way system in the UK
» A new generation of full»
» Balanchine’s “Pathetique”
» What is the buzz: the V-»
» Tweeter for Vitavox S2. »
» Vendors’ Egos.
» Macondo vs Dannoy = Esse»
» Custom UPS.
» Audio vs. Musical pitch
» My new favorite "Ne»
» The remarkable moments i»
» A turntable platter as a»
» High-End Audio and ... p»
» SET and speakers: disreg»
Bookmarked are red
Stereopal
OperaGlass
Virtuosos Discographies
Ward Marston's "Marston"»
The Gustav Mahler Board
Twogoodears' Blog
Pianist Yakov Kasman
JE Labs
Broadcast History
ElecroVoice’s Vintage Pr»
AudioTools
Hickok Maintenance
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Micro-Seiki MAX-282 To»
Micro-Seiki Arm Board
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Pacific Microsonics Mod»
CEC TL-0 MK2 transport
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