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» Sarah Chang last night a»
» An idea of “Rain Wake-Up»
» Those Video broadcasts f»
» EdgarHorn Speaker Project
» Making it sing...
» Cats and hifi
» Updated view: The Optima»
» Fantasies about 10Y
» Weiss Engineering DAC202
» The “Implied Sound” in A»
» Class “D” – the industry»
» My reading for a “smalle»
» French Horns/drivers sho»
» The A=432 Hz Frequency
» To drive the 6C33C...
» Stephen Hartkel, the goo»
» Introduction to “Melquia»
» Prices in High-End Audio.
» The “new” ways for initi»
» Tchaikovsky Symphony #4
» A complex Audio Question
» New CubeAudio Tractrix H»
» The tales of two phonost»
» Reel-to-Reel Tape vs. Ra»
» Recording/Playback softw»
» Staxquiades project
» Prokofiev
» Panel with Peter Qvortru»
» How to record FM broadca»
» Those experiences. Early»
» Kalinnikov’s First Symph»
» Some analysis of the Joe»
» Vintage JBL products lin»
» BAAS posting of two raw »
» The “guest musician opin»
» The loudspeakers for a p»
» JBL 2226 2445 2405 3-way»
» The ferrofluiding of com»
Bookmarked are red
GEMM catalog
Furtwängler's conserts
The Cartridge Database
Polish GM70 Poject
Austria's Musical Exiles
Wolds Opera Broadcasts
Phil Mundi Audio Pro Med»
Russian Records
Tempo-Electric - Arthur »
MusicWeb
Vintage EV speakers
Input Choke & Resonant C»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Stage Acompany SA8535 d»
Korvet “Egg” Tonearm
Altec 515B bass drivers
Micro-Seiki Arm Board
Kenwood L-02T FM Tuner
Vitavox S2/S3 diaphragms
Micro Seiki RX-5000
“Tree Blind Mice” colle»
Pacific Microsonics Mod»
Purist Audio Design Pro»
Lamm Industries M1.1 Mo»
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