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» Mozart: "Cosi Fun T»
» Tchaikovsky Symphony #4
» The “new” ways for initi»
» Bartok piano works
» What a week in Boston!
» Macondo Horns: biography.
» CD horn and JBL: Crossov»
» Preamp/linestage recomme»
» Lampizator horn
» To Milq builders: correc»
» Audio vs. Musical pitch
» Choosing Someone to Refu»
» Avantgarde Trio, Roy Gre»
» Audio Covid and some hom»
» Audio industry metaphor
» High Definition Tape Tra»
» Links in the Knowledge T»
» Copland/BSO/Copland
» Winter storm & Casals
» The FM Stereo and Multi»
» Six years of continuing(»
» Kharma Speakers as pH-in»
» Disregard the industry p»
» About the tweeters phase»
» “They either adore me or»
» Mr. Kleen Stylus cleaner
» The Estonian idiocy: Est»
» Mstislav Rostropovich Di»
» Strings reinforced sound»
» MET Broadcast, season 20»
» Sensible record cleaning»
» About audio hoarding
» Tannoy Red 1960s: some s»
» Phono stages with SU-1
» Montreal audio show phot»
» The “bread and circus” o»
» Natalia Gutman (!) in Bo»
» A tribune to Transient E»
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AUG 1 Chamber Music in Bru»
AUG 2 CASSATT STRING QUART»
AUG 2 Elim Chan, conductor»
AUG 3 Fiddlers Four in Gre»
AUG 3 TCHAIKOVSKY 5 in Bos»
AUG 3 Chamber Music in Woo»
AUG 3 Inbal Segev, cellist»
AUG 3 Gryphon Trio in Rock»
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julian bream, maestro of g»
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he wasn’t toscanini, but h»
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another trump blunder»
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Fane Studio 8 dual conc»
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