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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» "O Vitavox, Vitavox»
» The Engström & »
» How to make a playback t»
» Not all audio equipment »
» Think ahead how to measu»
» Cessaro Gamma II and Ome»
» Expectations in the conc»
» The Best Of Wiener Philh»
» The A=432 Hz Frequency
» Romy stalked me on the f»
» About the Critical Audio»
» Clark Johnsen.
» To Rip or not to Rip.
» Thoughs about “My Playba»
» The Avicenna's failure i»
» Fire and Music
» James Levine takes a gre»
» HD Radio? Good, bad or u»
» High-End Audio as going »
» Auro, reverb injection, »
» Perception of bass?
» My beloved Contraltos: k»
» Don't position speakers »
» EMI rollercoaster across»
» Streophile show 2007 and»
» Designing and building a»
» French Horns/drivers sho»
» Amplification and Consci»
» Wanted Vitavox S2 Origin»
» Nicolai Golovanov
» Don Quixote BSO Live tod»
» Electro-Voice Tweeter an»
» Mendelssohn, Cello Sonat»
» About destiny of “High-E»
» Altec Model 19 in Boston.
» What is the buzz: the V-»
» Where are our good phono»
» Macondo and ALE drivers,»
Bookmarked are red
Opera America
Tubecad publication
Olson Acoustical Book
Doremi CD label
Linkwitz's "Laboratory"
High-End Audio
The Thiele-Small Loudspe»
The Music Parlour
Musical Instrument Jokes
Ron Penndor's Recollecti»
Wood Horn Speakers
Alexander Karpov’s “Next»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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CEC TL-0 MK2 transport
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