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Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
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» The Lieberson’s Neruda S»
» About HF Binaurallism
» Swell New RIAA-Only Phon»
» A quest for a better SET.
» Some Audiogon realty
» Remastering (and re-loca»
» A fundamentally faulty J»
» Replacing 802 G and 811 »
» "Something is rotte»
» “How audio might sound”
» Bliss
» Some Orchestra on Demand»
» Bartok piano works
» Coconut
» VMPS RM V60 – kill me, b»
» Inner Groove Distortion »
» A tube tuner? REL Preced»
» What is interesting abou»
» Lamm ML2.1 "No long»
» Ever thought about how m»
» 50/40 Altec 604 Duplex B»
» The mystery of Koetsu On»
» The Saudi Arabia and Uni»
» Vitavox corner horn
» Watching conductors of t»
» Romy...thoughts on Lamm »
» Technology and Ideation;»
» Speaker hunting
» What 10k Buys You These »
» Inside views of "me»
» Truly a new use of high-»
» Why GOTO do not care abo»
» Tchaikovsky's Nutcracker»
» JBL LE8
» A dive to Auro 3D
» To hear Haydn for a firs»
» Big room vs small room
» Problems with horns: mid»
Bookmarked are red
Takashi Asahina Group
Appian Publications & Re»
Tuners Stereo Surgeons
Silent Running Audio
MetManiac Opera Archive
Vintage Audio Trader
DaVinciAudio Labs
The Cartridge Database
Wolds Opera Broadcasts
GS Tube
Audio Anthology
Thunderstone Audio Websi»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Stage Acompany SA8535 d»
Musatex’s Bidat Model "»
Pacific Microsonics Mod»
Purist Audio Design Pro»
Vitavox AK151 15" bass »
Lamm ML-2 Single-Ended »
Micro-Seiki MAX-282 To»
Tribute Output Amorphou»
Electro-Voice T350 twee»
Rohde & Schwarz MSDC Mu»
Mid-range tantrix round»
More Leftovers »»