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End of Life Phonostage
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» Lowther Driver
» What is interesting abou»
» More Gieseking!
» Playback and Perception »
» Tanglewood's 75th annive»
» Appearance of listening »
» Mahler 3 and BPO.
» Reallocation of efforts:»
» Is better than Kinetic S»
» Yamaha 6681B
» Micro Seiki SZ-1T
» The essence of High-End »
» Ever thought about how m»
» Listening playback with »
» Prom 22 - if only all or»
» Ravel's String Quartet; »
» How to test 6C33C?
» R22
» How to listen High-End A»
» A discussion about the a»
» Simpson Microphones thre»
» The need for a balanced »
» Class “D” – the industry»
» Chicago Horn Loudspeaker»
» Remastering (and re-loca»
» The 3 things that audio »
» America, version 2004
» GM70 vs. 6C33C
» Magico: biological minde»
» Don't evaluate audio by »
» October surprise. NY, NY»
» Dialog with Industry Rain
» Another "Top five t»
» WGBH Opera Bash 2009
» The BBC program about gr»
» Question on speakers
» NASA Reverberant Acousti»
» Life 3.0
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Boom's Dungeon
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Electro-Voice T350 twee»
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Lamm L2 Reference pream»
Musatex-TP Bidat 20-Bi»
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CEC TL-0 MK2 transport
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