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Random Site's Threads
» Creative listening
» Where is "Good enou»
» The dynamic range of our»
» An objective tool to tra»
» A new kid in the block: »
» Chord QBD76 - the new dac
» About the pre-warming of»
» Fake Vitavox S2 diaphrag»
» A better way of approach»
» The ultimate buffer #2..»
» An Afternoon with Gary K»
» Staxquiades project
» Exceptional loudspeakers»
» The differential diagnos»
» Bye-Bye, Fane
» Single-stage Melquiades »
» Paganini's Daemon : A Mo»
» Expectations in the conc»
» The "Lopsided"»
» Modifying TAD 2404
» How to insert youtube vi»
» Configuration from Italy»
» Amplification and Consci»
» The crossovering Messiah»
» An Interview With Dr. Br»
» Adding one more non-sphe»
» The “Right of Spring” – »
» Midbass impedance bumps »
» Ravel Piano Concerto No2
» Evaluation of tractrix c»
» World's First Concrete R»
» Explain TAD ET-703 drive»
» Stop buying the records »
» JBL 2446
» John Luther Adams's Beco»
» What I am doing?
» Analog vs. Digital... wi»
» Digital Equalization
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Classical events in Boston
APR 11 Benjamin Zander, con»
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Composer's Anniversaries
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Antheil, George (8 July 19»
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Repoulis, Michael (12 Feb»
Ferrari, Fabrizio (12 Febr»
My Audio Leftovers
Electro-Voice T350 twee»
CEC TL-0 MK2 transport
Fane Studio 8 dual conc»
Pacific Microsonics Mod»
Mid-range tantrix round»
Stage Acompany SA8535 d»
ESS AMT-1A Heil Air Mot»
Micro-Seiki Arm Board
Vitavox 330Hz Horn for »
Vitavox S2/S3 diaphragms
SME M2 - 12" Tonearm wi»
More Leftovers »»