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» A passive but elegant pr»
» Correcting Filters and t»
» French Horns/drivers sho»
» A better way of approach»
» How to manage audio powe»
» Submerging deeper into A»
» Why the tubes shall be t»
» Brahms [piano] Concerto »
» Problems with horns: mid»
» What about 220V 50Hz?
» Tweeters: the most misus»
» If you play a guitar…
» What constitutes a great»
» Vitavox corner horn
» Shall quality-price be r»
» Some kind of Grundig…
» An idea of Individual Re»
» A new amplifier from Aud»
» About speakers Imbedded »
» Adding one more spherica»
» Vitavox S2 driver made i»
» The cPlay software.
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» Romy's Horns
» Jonathan Valin smokes La»
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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NPR Classical Programs
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
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Composer's Anniversaries
German, Edward (17 Februar»
Gablenz, Jerzy (23 January»
Demessieux, Jeanne (13 Feb»
Zorzi, Juan Carlos (11 Nov»
Cleary, David (11 November»
Földvári, Gergel»
My Audio Leftovers
Vitavox S2/S3 diaphragms
Tribute Output Amorphou»
Conscience of audio rev»
REL Precedent 646C tuner
Korvet “Egg” Tonearm
Altec 808A compression »
Kenwood L-02T FM Tuner
Micro Seiki RX-5000
Musatex’s Bidat Model "»
Sansui TU-X1 Tuner
Electro-Voice T350 twee»
More Leftovers »»