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Audio Knowledge Tree ™
Romy's "Audio Rules"
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» Splitting XLR into Multi»
» Jonathan Weiss Introduce»
» Better chassis design fo»
» Kitties go to London
» Tightening to loosening »
» Long time due: Digital P»
» Super Melquiades, Macond»
» FM and … cables…
» The 3 things that audio »
» Vintage Altec drivers / »
» A Simple Question (or 3)»
» A great conductor - but »
» Dream Hi-Eff Speakers fo»
» I do not even know where»
» Kharma Loudspeakers reac»
» About Single Driver Spea»
» High End Munich 2014 imp»
» Don’t "use" VTA
» 250 watts Parallel S.E. »
» What, no Mahler?
» Another light for the LS»
» I need a “second-type” p»
» Ortofon MC Anna cartridg»
» Stay home with Bruckner
» The best “Die Fledermaus»
» Barn Conversion - James'»
» To be or not to be.
» The Expressive Technolog»
» Arranging my records col»
» How to get a LOT of SET »
» The Sound assessment rec»
» Engineering over Art
» Smetana's Piano Trio
» Compression drivers and »
» NESPA Optical Disc Final»
» The Hannes Kastner’ Tocc»
» Big room vs small room
» Fake Vitavox S2 diaphrag»
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DaVinciAudio Labs
OboinaThor
Tonal tests
Subito-Cantabile
Linkwitz's "Laboratory"
ClassicalNet
High-Tech Hi-Fi
Daniels Audio
Audio Spot Kamani
Vladimir Lamm Site
Conductor’s Corner
Twogoodears' Blog
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Korvet “Egg” Tonearm
CEC TL-0 MK2 transport
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