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» Some evidence for the ch»
» An ultimate horn profile?
» About the DAW playback s»
» Radio Netherlands’ Live!»
» The 68 dipoles imitation»
» Vitavox S2 with Electrom»
» The GoodSoundClub’s ‘Ult»
» Prokofiev's cantata
» Configuration from Italy»
» An interesting comment, »
» Antenna diversity system»
» Contact-free volume cont»
» Interesting diffuser sof»
» Another light for the LS»
» Joaquin Rodrigo’s “Conci»
» 1st Guitar Thread
» Modifying TAD 2404
» ESP Concert Grand SI Lou»
» An interesting TT link: »
» Chesky Records went &quo»
» The “new” ways for initi»
» The 60-inch LF driver.
» If I start High-End Audi»
» Truly a new use of high-»
» Phono stages with SU-1
» I think about War lately.
» Sound is like a proverbi»
» Macondo vs. the “industr»
» Use absolute polarity as»
» Bruckner 8, the document»
» Beauty as I See It - Mus»
» Alicia De Larrocha, Bach»
» Eventually - a reasonabl»
» TU-X1 setup
» What is better then Wagn»
» Hideous American operas.
» Dannoy and oxytocin...
» Integrated sound field o»
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Exotic Audio
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The Opera Critic
Electronics encyclopedia
Orchestra on Demand
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Silent Running Audio
BostonSymphony's Channel
Thunderstone Audio Websi»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Fane Studio 8 dual conc»
Purist Audio Design Pro»
CEC TL-0 MK2 transport
Vitavox S2/S3 diaphragms
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Altec 515B bass drivers
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