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Melquiades SET Amplifier
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» Mahler VI - Barbirolli w»
» Rod Poole 1962-2007
» Vertical Axis Midbass Ho»
» Kalinnikov’s First Symph»
» Back chamber
» What drives good sound?
» Another light for the LS»
» NOhorn channel for “the »
» Bruckner 8, WDR and Manf»
» The "anecdotal"»
» 2+3 surround sound??
» Medici TV, interesting…
» Tweeters: the most misus»
» GM70 vs. 6C33C
» The dynamic range of our»
» About High-End Audio for»
» A very slow monolog abou»
» Bliss
» Denon 103: myths and the»
» Stupid SME question abou»
» Expressive Technologies »
» Reallocation of efforts:»
» Horn loaded ribbons and »
» New superlative horn bui»
» Antenna attenuator – you»
» The DHOFT topology? Do n»
» The African compression »
» How to insert youtube vi»
» High-End Audio: buy vs. »
» Cleaning my PP2000
» Compression drivers and »
» Don Quixote BSO Live tod»
» Radiation patterns match»
» Micro Seiki DD30 Headshe»
» Playback journeys and Mu»
» About dymick sparkling.
» Mystery Horn ? ? ? anyon»
» Like theese?
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Classical events in Boston
APR 11 Benjamin Zander, con»
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APR 12 Takács Quartet in Gr»
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Shields, Alice (18 Februar»
My Audio Leftovers
Hillock TV-2 tube tester
Lamm ML-2 Single-Ended »
Tribute Output Amorphou»
Sansui TU-X1 Tuner
Micro-Seiki air-suspend»
Musatex’s Bidat Model "»
Ortofon Mono CG 25 Di c»
Micro-Seiki MAX-282 To»
Altec 515B bass drivers
Fane Studio 8 dual conc»
LF Transformer for 6C33C
More Leftovers »»