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» Paganini's Daemon : A Mo»
» Outdoor horns
» Perspective?
» The high-end audio, as i»
» Great Cello Concertos
» Digital crossovers self-»
» The "anecdotal"»
» The most emblematic reco»
» Foundation Standarts for»
» Woofers cone repair – a »
» Revisiting DSP
» Performance of a week.
» Worcester Music 2009-201»
» The EdgarHorns: the new »
» Zigmahornets Speakers: c»
» Magico: biological minde»
» Ah, Michelangeli...
» Critique audio performan»
» I do not even know where»
» Eduardo de Lima is a fre»
» The mystery of AmpX
» Herbie's Hal-O Tube Damp»
» Orchestra of 32 Loudspea»
» The Sakuma's Show
» CEC TL0 3.0 trasport
» SCAM! Horn - Academy Phi»
» Attempt of a playback sy»
» Long Range Acoustic Devi»
» Music and Arts of Americ»
» Small SET’s bass, beside»
» Infinite Baffle Implemen»
» Dc10audio.
» What about 220V 50Hz?
» Belcea Quartet
» 'Ideal' ceiling height? »
» A new CES 2010 loudspeak»
» Koshka gets a beautiful »
» The sound of Concert Hal»
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Jammin' Jersey
Tuners Stereo Surgeons
Valves Collection
John Lenard Burnett's si»
Jim Moskowitz's Unknown »
Soviet Composers
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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“Tree Blind Mice” colle»
Lamm L2 Reference pream»
ESS AMT-1A Heil Air Mot»
Sansui TU-X1 Tuner
Altec 515B bass drivers
Purist Audio Design Pro»
Vitavox S2 Compression »
Korvet “Egg” Tonearm
Micro Seiki RX-5000
Micro-Seiki MAX-282 To»
Ortofon Mono CG 25 Di c»
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