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End of Life Phonostage
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» SF audio gurus?
» The Evolution of Honk.
» Lecture on history of ar»
» The BBC program about gr»
» 2010 Classical Grammy No»
» Panel with Peter Qvortru»
» Gould's Piano
» Zebra horns painting?
» Always check power-line »
» The Loudspeaker (Troels »
» The WHRB’s Rimsky-Korsak»
» Claude Perrier and his t»
» Danley's Hyperion
» How Mussorgsky should so»
» Klipsch Jubilee
» Driver tubes, grid leak »
» Why I hate computer play»
» The Mozart’s Dorabella a»
» Brahms, "Liebeslied»
» Ways to use audio method»
» Melquiades: too early fo»
» Who makes horns? Archite»
» Harmonies for Bosch’s Ga»
» A great OPT resource page
» We who are about to die.»
» Meyer X-10
» Eben X-3 loudspeakers -»
» Commentary on Joe's »
» Reinforced live sound in»
» "New" TechDas »
» Where the Horns Light is»
» Faital compression drive»
» Audio cabinet of curiosi»
» A response to David Hurv»
» The mystery of AmpX
» Bravo Brahms, Bravo Wand»
» Things to look out for w»
» “Tool” for Morons ™: Bla»
Bookmarked are red
Turner Audio
Eugene Ormandy Pages
Opera Collector Guide
Perer Gulmann's Classica»
Norman Lebrecht's blog
Russian Music in 20th Ce»
The Cartridge Database
The AHRC Research Centre
WGBH's “Keeping Score”
Heart's Ease
GedLee loudspeakers
RAAL ribbons
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
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