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Macondo Acoustic System
End of Life Phonostage
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» 3012, 312, M2-12 or ... ?
» Rudolf Barshai conducts »
» Analog Transfer: the fir»
» SF audio gurus?
» Gould's Goldberg Variati»
» Italy’s the best: Michel»
» Beethoven PVC Trio, Opus»
» If you’re multiamping th»
» Those Video broadcasts f»
» It looks like Brits will»
» Macondo’s Midbass Projec»
» Vinyl Ceremonies: Repeat»
» The mystery of AmpX
» A dive to Auro 3D
» The Bruckner 5 by Benjam»
» Some nice horns from Gre»
» Digital crossovers self-»
» Life 3.0
» Write your own ploy of t»
» Spivakov, NPoR Orchestra»
» UHF capable tweeters and»
» The Berlin Philharmonic »
» Fake Vitavox S2 diaphrag»
» Klipsch Jubilee
» Macondo's Axioms: Horn-l»
» I have a dream, the drea»
» Those experiences. Early»
» About destiny of “High-E»
» ... and some Bruckner bu»
» Wilsons, EMM, Ozawa, Sa»
» The new “little things” »
» To Rip or not to Rip.
» Transition : Driver to t»
» The remarkable moments i»
» Conchita Supervia
» High Quality Music Serve»
» Conductor Herbert Kegel
» EMIA Phonostage.
Bookmarked are red
ElecroVoice’s Vintage Pr»
Plasma Tweeters Site
MusicStack
NPR's SymphonyCast
IMSLP Music Library
Martha Argerich Site
Direct Drive TT
Perer Gulmann's Classica»
Glenn Gould Audio Archiv»
Pjay's Speaker building »
Piano Wizard
Tonal tests
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Stage Acompany SA8535 d»
Rohde & Schwarz MSDC Mu»
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