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» Problems with horns: mid»
» Soprano Sally Matthews.
» Romance, Food & Mahl»
» What’s up with these gia»
» Macondo vs. the “industr»
» The DHOFT topology? Do n»
» Smetana's Piano Trio
» Tonearm Alignment Method
» An amplifier for Tweeters
» New speaker system
» Liszt Piano Sonata &»
» Experimental horn
» The 'Side's End Ceremony»
» The 'nature' of said rea»
» Expressive Technologies »
» High Pass Inductors
» New, Transparent Speaker»
» Maxim Vengerov: Encore i»
» Macondo’s lowest channel.
» The Tenor amplifier and »
» Why I do not like La-hor»
» Horn length/expansion/gr»
» RCA’s Sound And The Story
» Mystery of bass horn cal»
» FM and live real-time br»
» Tchaikovsky’s “Pathetiqu»
» A “pocket version” of Br»
» Lecture on history of ar»
» What constitutes a great»
» Berlin Philharmonic Dire»
» Trash your “full-rage”, »
» Just-Sound of Audio vs. »
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 19 In Search of New Wor»
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‘the lost pianos of siberi»
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Micro-Seiki MAX-282 To»
Hillock TV-2 tube tester
Korvet “Egg” Tonearm
Kenwood L-02T FM Tuner
LF Transformer for 6C33C
Micro-Seiki Arm Board
Rohde & Schwarz EU-6201»
Lamm L2 Reference pream»
“Tree Blind Mice” colle»
Rohde & Schwarz MSDC Mu»
Vitavox S2 Compression »
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