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» Tweeters: the most misus»
» High-End Audio. The thir»
» De-stress not decompress»
» The today’s take on Rach»
» Magico new 5 ways idea. »
» Motion Picture Sound
» How Mussorgsky should so»
» Brahms 4th Symphony in i»
» Ophelie Gaillard renders»
» Building horn onto power»
» Sound from behind a wind»
» Ah, Michelangeli...
» Digital Volume Control s»
» Tchaikovsky Symphony #4
» The A=432 Hz Frequency
» Horn Speaker Leftovers f»
» The UnipheyeMusic and St»
» A lucidly implemented di»
» DC offset for A/D conver»
» Digital crossovers self-»
» Parts As Facilitators or»
» I good spot-light for a »
» Shi-Yeon Sung and BSO
» It is imposable to “hear»
» The corrupted listening »
» Thoughs about “My Playba»
» Tchaikovsky's Nutcracker»
» What is High-End Audio, »
» Corner Speakers for a ne»
» A primer on high-end mar»
» Audio Shopping vs. Piano»
» My Analog Playback: the »
» Any South/Latin American»
» It is time for you to de»
» How to test 6C33C?
» Weiss Engineering DAC202
» Focal-Jmlab – the Utopia»
» A new CES 2010 loudspeak»
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The Cartridge Database
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Tempo-Electric - Arthur »
Soviet Composers
Aria Database
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
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it’s (almost) business as »
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Knaifel, Alexander (28 Nov»
Kenwood L-02T FM Tuner
Lamm L2 Reference pream»
Ortofon Mono CG 25 Di c»
Tribute Output Amorphou»
Musatex-TP Bidat 20-Bi»
Electro-Voice T350 twee»
Micro-Seiki air-suspend»
ESS AMT-1A Heil Air Mot»
Vitavox S2 Compression »
Rohde & Schwarz MSDC Mu»
Hillock TV-2 tube tester
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