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» Remembering Sound…
» SET and speakers: disreg»
» Turntable Design
» Who the hell is this int»
» Emmerich Kalman (1882-19»
» Fire and Music
» Gardzienice "Metamo»
» Where the FM quality com»
» Le Poeme Harmonique
» Bill Gaw: over 50 years »
» ESS Connoisseur: a sensi»
» “Hearing Modernity” at H»
» Shostakovich’s 100th bir»
» About audio Crashes.
» How to train respect aud»
» Stephen Hartkel, the goo»
» Kalinnikov’s First Symph»
» Long Range Acoustic Devi»
» Romy, how does the origi»
» Micro SX8000I: noisy pum»
» Alfred Schnittke’s Gogol»
» The Sound and How We Hea»
» Electro-Voice Tweeter an»
» Contact-free volume cont»
» Playing third cartridge »
» Tchaikovsky's Nutcracker»
» Horn-Kultur 5-Way from G»
» More about Vienna Philha»
» Celibidache / bruckner
» Why Horn loaded systems?!
» Janine Jansen
» Things to look out for w»
» X-mas list
» Myth of CD clocking = Tr»
» A contemporary great CD »
» Van Cliburn Moscow 1958
» Future of high-end audio
» Think ahead how to measu»
Bookmarked are red
Ward Marston's "Marston"»
Spinning Dog Records
Input Choke & Resonant C»
The Victor Victrola Page
Truesound Transfers
Jammin' Jersey
Nubes Partem
WGBH's “Keeping Score”
Clemens Krauss Archive
Subito-Cantabile
The Thiele-Small Loudspe»
FM Radio Query
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
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REL Precedent 646C tuner
Ortofon Mono CG 25 Di c»
Micro Seiki RX-5000
Pacific Microsonics Mod»
Lamm L2 Reference pream»
Sansui TU-X1 Tuner
Hillock TV-2 tube tester
Lamm ML-2 Single-Ended »
Conscience of audio rev»
Vitavox S2 Compression »
LF Transformer for 6C33C
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