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Audio Knowledge Tree ™
Romy's "Audio Rules"
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Macondo’s lowest channel.
» 3012, 312, M2-12 or ... ?
» The objectives of Einste»
» How to build the best au»
» Stupid SME question abou»
» Another interesting corr»
» Accuracy vs. Musicality »
» How Mussorgsky should so»
» An interesting TT link: »
» The bogusness of the coa»
» Bruckner Sinfonie Nr.8, »
» My site and Your expecta»
» The Edgarhorn RTA respon»
» Replacing 802 G and 811 »
» How much does it cost to»
» Mr. Kleen Stylus cleaner
» DIY multicellular horn
» Why horn-loaded loudspea»
» Prokofiev
» Single Ended Triode dist»
» The industry-embraced au»
» A book about Loudspeaker»
» Samuel Feinberg's Well-T»
» The Nationals Anthems
» Audio equipment vs. live»
» Brahms [piano] Concerto »
» Micro Seiki RX-5000 stat»
» The UnipheyeMusic and St»
» Input choke for Low Curr»
» The “bread and circus” o»
» Rendezvous Mit Richard T»
» Basic guide to advanced »
» RIP Pauline Oliveros
» Help FM Broadcast
» ESP Concert Grand SI Lou»
» Has anyone ever seen the»
» In appreciation of Koshka
» Another problem in my ne»
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Pianist Yakov Kasman
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Tuner Information Center
RAAL ribbons
Eugene Ormandy Pages
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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CEC TL-0 MK2 transport
Hillock TV-2 tube tester
Koetsu Onyx Platinum Ca»
Conscience of audio rev»
SME M2 - 12" Tonearm wi»
Micro-Seiki MAX-282 To»
Vitavox AK-15/40 15" ba»
Musatex’s Bidat Model "»
Vitavox S2/S3 diaphragms
“Tree Blind Mice” colle»
Micro Seiki RX-5000
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