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End of Life Phonostage
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» Playback as an expressiv»
» New Barenboim’s Bruckner»
» Who makes horns? Archite»
» More 6E5P-6C33C amps.
» Do not pursue full-range»
» German Odeon horns.
» My Audio Philosophy
» Some evidence for the ch»
» 47 Lab Digital
» Philosophical approach t»
» “How audio might sound”
» Bach Piano Concertos, 1,»
» The Multicells HF Horns.
» What, no Mahler?
» “Hearing Modernity” at H»
» Contributing factors in »
» DAW drives configuration»
» Samuel Feinberg's Well-T»
» An air compressor and TT.
» A listening room for a d»
» About DSET-driven multi-»
» Neumann Dummy Head.
» SS Power Amps - the FoxN»
» Custom UPS.
» BSO and 192kps
» Six years of continuing(»
» Mercury Living Presence »
» Practicality of paper ma»
» New CubeAudio Tractrix H»
» The ultimate buffer – li»
» About TTH characteristic»
» Corner Speakers for a ne»
» Anybody building or usin»
» 7788 tube mic pre design
» Electronluv systems ques»
» If you are in Bruckner: »
» A Cardboard Effect.
» Lower cost horn loaded a»
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Dan Lavry's Forum
OperaGlass
Input Choke & Resonant C»
Perer Gulmann's Classica»
Wood Horn Speakers
Sound Tourism
Thunderstone Audio Websi»
The Bruckner Discography
Tuner Information Center
Classical Composers
Koussevitzky & BSO
Alexander Karpov’s “Next»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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LF Transformer for 6C33C
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Pacific Microsonics Mod»
Fane Studio 8 dual conc»
Musatex-TP Bidat 20-Bi»
Electro-Voice T350 twee»
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