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» French Horns/drivers sho»
» Disregard the industry p»
» Woofers cone repair – a »
» Satisfying result: the R»
» Kharma Speakers as pH-in»
» Ah, Michelangeli...
» If I were a High-End Aud»
» What to do in England?
» Herbie's Hal-O Tube Damp»
» Horns and digital crosso»
» The best picture of audi»
» Audio treasure find
» Antelope: might be an in»
» Unexplained haunting exp»
» Tightening to loosening »
» DVD for pop, SACD for cl»
» Why I do not like La-hor»
» Film in Boston: "An»
» Crane Radio CCE2
» Staxquiades project
» Where is "Good enou»
» The loudspeakers for a p»
» Alfred Schnittke’s Gogol»
» About Wilson Audio Louds»
» (Whose) classical music.»
» Who builds horns?
» Children's playground in»
» Japanese Super High Mate»
» Van Cliburn Moscow 1958
» Single-stage Melquiades »
» Impressions from High En»
» Living Voice Loudspeaker
» Mercury Living Presence »
» Digital crossovers self-»
» Philmundi Story about ho»
» It is about timbres, stu»
» Digital Voicing
» Ways to use audio method»
Bookmarked are red
Former Sirkorski Site
Virtuosos Discographies
Western Electric manuals
Duke Classical
Pjay's Speaker building »
Seen and Heard
The Soul of Sound
Hickok Maintenance
Sibelius Academy music l»
AudioTools
Soviet Composers
Japanese's HiFiDo
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Electro-Voice T350 twee»
Vitavox S2 Compression »
Vitavox AK151 15" bass »
Micro-Seiki Arm Board
Musatex’s Bidat Model "»
Koetsu Onyx Platinum Ca»
Hillock TV-2 tube tester
Micro-Seiki MAX-282 To»
Pacific Microsonics Mod»
Rohde & Schwarz MSDC Mu»
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