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Audio Knowledge Tree ™
Romy's "Audio Rules"
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» Satellite radio
» Designing and building a»
» Boulez' LF-Injected Vers»
» The nature of "soun»
» Problems with horns: upp»
» Show Report PiS Fest
» Audio and Politic: a sol»
» Use absolute polarity as»
» The most appalling audio»
» SF audio gurus?
» EMIA Phonostage.
» Yamaha ns1000m speaker p»
» Ultimate Turntable
» Playback journeys and Mu»
» Another light for the LS»
» Absolutely the best audi»
» Shaky tubes, echo testing
» The silence after coda
» Small SET’s bass, beside»
» Submerging deeper into A»
» Wiener Philharmoniker r»
» Moerch DP6 and DP8 “anis»
» EMI rollercoaster across»
» Horn-Kultur 5-Way from G»
» The sound compromises of»
» DAW is down… new DAW.
» Horns with contra-profil»
» My new favorite "Ne»
» Big mama 1.5" horns»
» Macondo vs Dannoy = Esse»
» Chesky's violin concerto
» Why the tubes shall be t»
» How to build the best au»
» Who builds horns?
» High End speakers Evolut»
» The corrupted listening »
» The dynamic range of our»
» The Krell’s cursed Sound»
Bookmarked are red
Austria's Musical Exiles
Russian Music in 20th Ce»
Polish GM70 Poject
GedLee loudspeakers
Olson Acoustical Book
The Music Parlour
Direct Drive TT
Tuners Stereo Surgeons
George Szell discography
Dazy Web Labaratory
Recording Technology His»
The National Valve Museum
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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