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» Contributing factors in »
» Motion Picture Sound
» Sub-woofer integration w»
» Expectations in the conc»
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» Claude Perrier and his t»
» “Why horns”, years later.
» Moerch DP6 and DP8 “anis»
» About Single Driver Spea»
» Dream Hi-Eff Speakers fo»
» Rubinstein at Carnegie H»
» Elgar conducts Elgar.
» Bruckner at 24bit.
» The audiophile’s stupid »
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» About bass horns by Joha»
» Show Report PiS Fest
» Hypex for ULF?
» My old Fi-Hi gear associ»
» Multicellular horns
» Not new, but VERY intere»
» 60hz, GPA-515-8ghp horn.»
» Bach Cello Suites
» The benefits of ultra hi»
» Celebrating Anton Bruckn»
» Mercury Living Presence »
» Staxquiades project
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» Horn for smartphone
» Equalizer? Hm…
» Neumann Dummy Head.
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» Sick CEC TL0
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Classical events in Boston
AUG 1 Chamber Music in Bru»
AUG 2 CASSATT STRING QUART»
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AUG 3 Fiddlers Four in Gre»
AUG 3 TCHAIKOVSKY 5 in Bos»
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AUG 3 Inbal Segev, cellist»
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Composer's Anniversaries
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Satie, Erik (17 May 1866-1»
van Delden, Lex (10 Septem»
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My Audio Leftovers
LF Transformer for 6C33C
Mid-range tantrix round»
Vitavox AK151 15" bass »
Vitavox AK-15/40 15" ba»
Micro Seiki RX-5000
SME M2 - 12" Tonearm wi»
Sansui TU-X1 Tuner
Micro-Seiki Arm Board
Micro-Seiki MAX-282 To»
Ortofon Mono CG 25 Di c»
Micro-Seiki air-suspend»
More Leftovers »»